Max said:
Orpheo said:
@max: she doesn't want me to put up pics online :icon_scratch: something with 'gross yucky yucky horny old guitarplayers!' I told her you were one of the youngest members, but she is adamant, sorry... :sad1:
Ha, I don't believe she exists.
Your loss :d
@marko: heb ik niet gepost! waren anderen, ten tijde van meetings. en ja, dat klopt wel, die leeftijd, maar ach, we zijn 3 jaar samen, dat zet wel zoden aan de dijk lijkt me, om maar te negeren dat het met het jaar steeds beter en beter gaat
zij is heel er volwassen, ik ben soms kinderlijk, goeie combi lijkt me :glasses9: :confused4:
Ok, ok, I'll answer anyway, and crawl humbly through the dust and apologise deeply for my misbehaviour :binkybaby:
Rosewood vs Mahogany in tone and feel:
for chords, its got more tightness and beef, more depth, more 'power', more bottom end, not more lows, but more bollocks. For solo's on the bridge pickup, high up the neck, it will give you a smoother tone, not as shrill as mahogany. I think its due to the oil in the neck, that dampens out the shrillness. For solo's on the neck pickup, you'll get a smooth, 'liquid' tone, like santana. I do have to admit though, that a thicker neck will have these properties to a higher degree than a thinner neck; I've got a boat-profile RW neck, a fatback RW neck and a standard thin RW neck, and the thicker necks have the previous properties more than the thinner neck, sometimes it's like as if I'm playing with 2 guitars at the same time. its so chunky and broad, but thats something think necks always have, no matter what wood you use, the wood material will only emphasise specific frequencies, for example, RW will give you 'more' (better) lows and lower mids, like mahogany, but not the shrilness and 'flatness' you get with mahogany. Canary will be like maple, but not so bright on the high frets, ziricote will have a very 'equal' tone, without something jumping out, wenge too, by the way.
The feel: rosewood feels, well, like rosewood
just feel a RW fingerboard, without strings ofcourse, and just imagine that as a full neck. It feels SLICK, fast, direct. You feel the notes directly in your hand, no finish to block the tone or whatever. That last argument might be bullshite, maybe not, I don't know. What I do know is that it just feels awesome, and thats what counts. with a finish on the neck, I always tend to play slower and less accurate than on a neck without finish. as if the sweat accumulates to a film on the finish which glocks up to a dirty crappy thing, which plays, well, crap. If you know the 'steelwool on glossy neck' trick, and you use it too, and like the feel of a more coarse finish (making small grooves in the finish is what you do), you'll like rosewood.
@alfang: wasn't that what I said already in the startpost and in the posts later on? amongst others I say it plays marvelous, its rich in tone and feel, , and its got a major-vintage les paul-thing going on, but an occasional jump to metal goes fine too. I don't think I can explain it better than that, cause everything I add, will just be a repetition of moves.