mickcoop91
Newbie
- Messages
- 9
Hi guys,
I’m looking at getting warmoth with a Korina body/walnut neck/black ebony fretboard. While I can get a lot of info online around both Korina and black ebony, I’m finding it very difficult to source info about walnut especially being used in necks. The pickups in this guitar will be a porter 9T neck pickup and a Dimarzio bluesbreaker in the bridge which are both P90 voiced. I already own a Tele with a swamp ash body/maple neck which is bright and twangy. I figure the Korina will give me a more darker rounder alternative, while the sharper attack (really the only info I can find on walnut) of the neck and ebony will complement the bighty p90 sound.
The reason why I would like walnut are because it’s described as being somewhere between maple and mahogany and I don’t want to go over board with the darker tone woods and just completely fight against the p90’s. I’ve also played a friends warmoth that had more exotic wood necks, one was bubinga? The other was Wenge, while both were sick, I don’t want a wood that imparts to much of its own flavour like these did.
All the walnut guitar I can find photos of online have that big high gloss finish, reminds me of the furniture in my mum’s living room. Can you leave walnut untreated, or is there a finish that provides a more matte look?
I’m looking for any assistance or feedback about my reasoning. Does anyone have any experience with walnut necks? Are there any obvious luthier red flags that I am missing about combining these three woods or using walnut in the neck?
Any help will be greatly appreciated!
Thanks
I’m looking at getting warmoth with a Korina body/walnut neck/black ebony fretboard. While I can get a lot of info online around both Korina and black ebony, I’m finding it very difficult to source info about walnut especially being used in necks. The pickups in this guitar will be a porter 9T neck pickup and a Dimarzio bluesbreaker in the bridge which are both P90 voiced. I already own a Tele with a swamp ash body/maple neck which is bright and twangy. I figure the Korina will give me a more darker rounder alternative, while the sharper attack (really the only info I can find on walnut) of the neck and ebony will complement the bighty p90 sound.
The reason why I would like walnut are because it’s described as being somewhere between maple and mahogany and I don’t want to go over board with the darker tone woods and just completely fight against the p90’s. I’ve also played a friends warmoth that had more exotic wood necks, one was bubinga? The other was Wenge, while both were sick, I don’t want a wood that imparts to much of its own flavour like these did.
All the walnut guitar I can find photos of online have that big high gloss finish, reminds me of the furniture in my mum’s living room. Can you leave walnut untreated, or is there a finish that provides a more matte look?
I’m looking for any assistance or feedback about my reasoning. Does anyone have any experience with walnut necks? Are there any obvious luthier red flags that I am missing about combining these three woods or using walnut in the neck?
Any help will be greatly appreciated!
Thanks