Alfang said:
Excuse my ignorance cagey, what the heck does that thing do?
Can you dial in David gilmore sound for the brick in the wall II solo? if so, where do I get one? and how much? send it.
Everything. Any more questions? <grin>
Basically, it's the ultimate emulator. It doesn't just sound like some amp, you can create an amp. You can set how the power supply behaves, how much it sags, whether or not it uses negative feedback and how much, what kind of choke it has and what size, where the the master volume is (pre- or post-phase inverter), what tones stack it uses, what kind of tubes it uses, on and on ad infinitum. It doesn't just emulate tube tone, it emulates tube behavior. Just a megaton of options that you've never had access to before. It approaches special effects much the same way. Same with speakers. In fact, it now has an impulse response analysis feature so if you have a speaker bottom you happen to love and a decent mic, you can teach it how that sounds and use it anywhere you want. So, yeah. You want Dave Gilmour's ABITW tone? It's in there.
They're not easy to get, though. You have to get on a waiting list, and it can take anywhere from two to six months to get one. Plus, they're not exactly inexpensive. But, given what it does they're pretty reasonable and it's worth it. Studios and users are selling off tons of gear when they finally have a unit of their own, because you don't need to own a warehouse full of amps and bottoms any more. The emulation isn't just close, it's spot-on. It's not like anything you've heard before, unless you have an actual copy of the amp you're looking to reproduce. Thing's gonna make tubes and SFX boxes obsolete.
Another thing I should probably mention is you need a fairly clean power amp and some full-range/flat-response speakers. You can't really just plug it into your favorite Marshall head driving a 4x12 and expect it to sound good, unless all you use are the SFX. So, for some folks there's some added expense there.