There comes a time when one must simply declare victory and depart the field of battle. I've decided to take another direction entirely with this guitar. Rather than keep beating the dead horse of grain filling and sanding and trying to get the color right, I asked myself:
Why should Mayfly be the only guy with flowery guitars?
So I got a really nifty piece of paper at an art store near my house. I used some craft adhesive to stick it on, and then gave it a coat of Zinsser rattle-can shellac. Next step is a black burst edge, then about eleventy-five kajillion coats of clear gloss lacquer.
Feel the burn!
Behold:
I also got the pickups and stuff, and have a plan for wiring that will be a little more difficult than what I initially had in mind - the p'ups are a Phat Cat for the neck, and a Duncan Quarter Pounder tele p'up for the bridge with a tap. The plan is to wire all this to a four-way switch, and a push-pull switching tone pot.
Theory:
I'd like the pickup switching to work as follows:
position 1: Bridge only
2: Bridge/Neck series
3: Bridge/neck parallel
4: Neck only
Tone knob pulled out: Bridge pickup tapped.
Appointments will include a matte black pickguard, and my nifty flame maple neck with macassar ebony board (see: http://www.unofficialwarmoth.com/index.php?topic=15331.0 )
Anyway, that's what I'm gonna amuse myself with while my spectacular carved-top tele is still in the works. Wheee!
Bagman