I think I'm going to pull the trigger soon on my long-planned hollow carved-top Telecaster build. Here's where I'm landing with the specs and wondering if anyone has any thoughts on my plan here.
Anything obvious I'm missing here?
High level specs (full specs below):
All together fairly similar to this recent build by @bigfatpaul I just saw (and absolutely love):
Here's the stuff I've been wrestling over:
Body:
Construction: Carved Top - Hollow
Core Wood: Black Korina
Lam Top Wood: Black Korina/Black Korina DL
Unique Choice: Yes
Right / Left Handed: Right-Handed
Control Cavity: Rear Rout (Standard)
Neck Pickup Rout: P90
24 Fret Reposition: No
Middle Pickup Rout: None
Bridge Pickup Rout: P90
F-Holes: 2 F-Holes
Control Layout: 2 F-Hole CT Tele® 3 Pot Controls
Controls: Volume 1, Tone 1, Tone 2
Jack Rout: 7/8" (22mm) Side Jack Hole
Bridge Rout Type: Hardtail
Bridge Rout: Hipshot Hardtail Bridge
Mounting Holes: Standard 4-Bolt
Neck Pocket Shape: Tele®
Body Contours: Contoured Heel
Binding & Edge Decorations: Cream Binding (Carved Top)
Battery Box: None
Paint Category: Burst
Top Color: Honey Burst
Back Color: Transparent Amber
Satin or Gloss: Gloss
Neck:
Construction: Tiltback Gibson® Scale Conversion
Shaft Wood: Walnut
Fretboard Wood: Ebony (Macassar)
Unique Choice: Yes
Nut Width: 1-11/16" (43mm) - Modern Medium
Right / Left Handed: Right-Handed
Neck Back Profile: Standard Thin
Fretboard Radius: Straight 10.5"
Number of Frets: 22
Scallops: None
Binding: Cream Binding
Fret Size & Material: SS6150 - Wide & Tall (Stainless)
Tuner Hole Size: Schaller / Sperzel (25/64")
Inlay Shape: Premium Dots
Inlay Material: Mother Of Pearl
Side Dots: White Side Dots
String Nut: Standard Nut - GraphTech White TUSQ XL
Mounting Holes: Standard 4-Bolt
Neck Heel Shape: Tele® Shape (Non-standard) - decided to go Tele shape on neck rather than Strat-shaped on the body
Finish: Clear Satin Nitro (Non-Maple Neck)
Planned hardware:
Any thoughts are appreciated!
Anything obvious I'm missing here?
High level specs (full specs below):
- Carved top hollow Telecaster in honeyburst w/ P90s, cream binding and two f-holes
- Gibson-scale Vortex neck with Walnut shaft, Massacar Ebony board, cream binding and satin nitro finish
- Hipshot hardtail bridge
All together fairly similar to this recent build by @bigfatpaul I just saw (and absolutely love):
Figured Koa Hollowbody Tele
Just finished my second build and am very pleased with how it turned out. Here are the specs: Body: Mahogany hollowbody with figured Koa top and 2 F-holes and cream binding. Bridge: recessed Gotoh tune-o-matic. Pickups: Dimarzio PAF 36 Anniversary humbuckers Toggle: Freeway 3x3, 6 position...
unofficialwarmoth.com
Here's the stuff I've been wrestling over:
- Should I go with a unfinished (burnished) Indian Rosewood neck or Walnut with satin nitro?
- I have another build with a roasted maple neck I had applied a few light coats of Tru-Oil to. I recently stripped that off the back of the neck and did the @Cagey routine of burnishing by sanding incrementally from 400 up to 2000. I really like the feel, but think I ultimate prefer the feel of of my satin poly-finished guitars. I've never played a rosewood neck or even a neck with nitro, however.
- Should I do the off-menu LP-style switch placement (similar to @bigfatpaul 's build) with a master tone + volume by F-holes? Or a switch + master volume/tone near the F-holes
- I'm leaning toward the "2 F-Hole CT Tele® 3 Pot Controls" option and reaming out one of the holes for a 3-way switch. partially so all wiring is easily accessible in control rout.
- I can't decide what order to put the controls in:
- Switch - volume - tone
- Volume - switch - tone
- Volume - tone - switch
- Definitely want to do a honey burst over black korina, but wavering on back finish:
- Clear
- Transparent amber
- Transparent amber (burst over)
- I suppose they'll all look great, but having trouble seeing the different between trans amber vs. burst over trans amber when there is binding on the body.
- Unique choice or not:
- Thinking that I'll splurge on unique choice for both the top and freatboard since this is kind of my dream build and I want everything just so, but it seems like Warmoth usually selects really nice pieces of wood either way.
Body:
Construction: Carved Top - Hollow
Core Wood: Black Korina
Lam Top Wood: Black Korina/Black Korina DL
Unique Choice: Yes
Right / Left Handed: Right-Handed
Control Cavity: Rear Rout (Standard)
Neck Pickup Rout: P90
24 Fret Reposition: No
Middle Pickup Rout: None
Bridge Pickup Rout: P90
F-Holes: 2 F-Holes
Control Layout: 2 F-Hole CT Tele® 3 Pot Controls
Controls: Volume 1, Tone 1, Tone 2
Jack Rout: 7/8" (22mm) Side Jack Hole
Bridge Rout Type: Hardtail
Bridge Rout: Hipshot Hardtail Bridge
Mounting Holes: Standard 4-Bolt
Neck Pocket Shape: Tele®
Body Contours: Contoured Heel
Binding & Edge Decorations: Cream Binding (Carved Top)
Battery Box: None
Paint Category: Burst
Top Color: Honey Burst
Back Color: Transparent Amber
Satin or Gloss: Gloss
Neck:
Construction: Tiltback Gibson® Scale Conversion
Shaft Wood: Walnut
Fretboard Wood: Ebony (Macassar)
Unique Choice: Yes
Nut Width: 1-11/16" (43mm) - Modern Medium
Right / Left Handed: Right-Handed
Neck Back Profile: Standard Thin
Fretboard Radius: Straight 10.5"
Number of Frets: 22
Scallops: None
Binding: Cream Binding
Fret Size & Material: SS6150 - Wide & Tall (Stainless)
Tuner Hole Size: Schaller / Sperzel (25/64")
Inlay Shape: Premium Dots
Inlay Material: Mother Of Pearl
Side Dots: White Side Dots
String Nut: Standard Nut - GraphTech White TUSQ XL
Mounting Holes: Standard 4-Bolt
Neck Heel Shape: Tele® Shape (Non-standard) - decided to go Tele shape on neck rather than Strat-shaped on the body
Finish: Clear Satin Nitro (Non-Maple Neck)
Planned hardware:
- Fralin noiseless P90s in cream covers
- Also considered mini-humbuckers, but think I'm gonna go with P90s
- 500k pots + 3 way toggle
- Hipshot hardtail bridge
- Hipshot locking tuners
- Aaron's favorite oversized strap buttons
Any thoughts are appreciated!