k-k-kboooman said:
That's a sweet LP Custom Bagman, would you mind telling us a bit more? What vintage, the bridge, pickups etc.
Thanks, kboman.
That's a 1972 Limited Edition Custom. It belonged to my father in law, Leon, who passed away earlier this year. He gave it to me before he went. He was the second owner, and I happen to know the original purchaser as well.
The guitar is a replica of a 1954 - some accounts suggest that there were a bunch of P90-routed bodies lying around the Gibby shop for years and years after they switched over to humbuckers as the standard offering. In the early 1970's they did a limited edition run of these. The bodies are solid mahogany - no maple cap. The pickups are a P90 bridge and an Alnico 5 (I think) staple-pole-piece soapbar in the neck. The original purchaser was a jazz player and decided to retrofit a rosewood archtop style bridge with a bone saddle. This was, it turns out, a dumb idea, as far as playability is concerned - the saddle is not radiused and is only adjustable using the thumbwheels on the studs. I'm planning to refit it with TOM, which shouldn't be hard, since the rosewood bridge mounts on the original studs.
The guitar is also one of the fabled Fretless Wonders - it has the tiniest frets I've ever seen and they are almost completely rectangular - the are not crowned like most frets. I'm considering a refret as well with a more conventional vintage-style fretwire, but with the bound neck it's more costly - Frank Ford's shop is across the street from my job, and they quoted $450 for the job.
Despite its abundant playability issues, however, when plugged in and cranked up, this guitar sounds like God His own self. It will be worth the effort required to make it play right, for sure.
Peace
Bagman