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Elliott Guitars

Orpheo

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http://www.elliottguitarsnc.com/customguitars/peterstroudsignature/

from what i see, thats just a jazzmaster body with some flashy painting, a lot of pooha about the neck (what is lapsawn anyway?). for a price too extraordinary to mention (over 3k $!) a warmoth project like this would most likely barely hit 1k. so, whats the deal?!
 
There's no such thing as "lap sawn" lumber. There are lap joints, but I don't know why you'd use one on a neck unless he's trying to avoid a scarf joint to the headstock, which is entirely possible but would be unusual on a Fender-style neck since that design doesn't require any joint at all.

I don't see anything about the instruments to command such a price, either. He's using the least expensive woods he can and still end up with a playable instrument. The hardware is uninspiring at best, and I'll call that bridge a POS although anything is better than the Rube Goldberg vibrato unit Fender uses on that design. He admits the body is a glue-up, which isn't the end of the world but it's not premium no matter how many adjectives you use to describe it.

I suspect they're very well-built instruments, but American labor is über-expensive so attention to detail is pretty dear. I know if I built and finished a guitar from scratch, it would have to be in the $3K range or it wouldn't be worth my time, and my time isn't terribly expensive these days. If he's trying to make a living doing nothing but this, then even at that price he'd have to make and sell about 30+ of those a year to make a decent wage. It's doable if he makes them in batches, but I wonder if there's that much market, especially considering he's not the only one doing it.
 
Tiny town outside of Statesville, NC  isn't exactly Music City either. I won't begrudge the guy his prices - you pretty much have to price that way as a small guy.  But he has his work cut out trying to differentiate himself.
 
I love those paint jobs.  The paint-line binding with complementary colors on the sides is just sick. 
 
I'm sure it's a fine guitar, but not worth the price. Obviously he's going for the boutique market.

I know so many people who want to pay more to have the exclusivity of owning rare expensive gear. As if it makes them special or the gear sound better.

A friend bought Tom Holmes pickups for $900 a set. He swears they sound absolutely amazing. They sound no better than my Dimarzio 36th anniversary PAFs I bought for $70.
 
Doughboy said:
I'm sure it's a fine guitar, but not worth the price. Obviously he's going for the boutique market.

I know so many people who want to pay more to have the exclusivity of owning rare expensive gear. As if it makes them special or the gear sound better.

A friend bought Tom Holmes pickups for $900 a set. He swears they sound absolutely amazing. They sound no better than my Dimarzio 36th anniversary PAFs I bought for $70.
Those 36ths sound nice, man. Some of my favorites.
 
Max said:
Doughboy said:
I'm sure it's a fine guitar, but not worth the price. Obviously he's going for the boutique market.

I know so many people who want to pay more to have the exclusivity of owning rare expensive gear. As if it makes them special or the gear sound better.

A friend bought Tom Holmes pickups for $900 a set. He swears they sound absolutely amazing. They sound no better than my Dimarzio 36th anniversary PAFs I bought for $70.
Those 36ths sound nice, man. Some of my favorites.


Best sounding vintage PAF pickups out there, imo, regardless of price.
 
besides those paint jobs being pretty beautiful (love the "vanilla shake" and sonic blue) they seem pretty boring. I'm just happy to see more hard-tail jazzmasters
 
In all seriousness, I see not much difference between what Elliott is offering and what Jalane did with his sonic blue Warmoth Jazzmaster. Now, if I had the opportunity to get both of them into my hands and have a close up look, my opinion might change, but Jalane does highlight what is achievable through 'parts' manufacturers and a fair bit of care and attention to detail.  :dontknow:

The Jazzmaster and other offset guitar body shapes have long been dismissed too readily by guitar players and I suppose we can thank Kurt, Elvis Costello & a few others (names escape me at present, apologies) for bringing them back into some sort of spotlight in more recent times... It will be hard to market them as some sort of genuine custom boutique instrument as opposed to a hot rodded offset guitar.
 
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