Cagey said:That's perfect. No more red.
If the black is fairly transparent it changes it slightly but the beauty of this is that the colors looks different under various lighting which is the beauty of a burst. If it is shot over a solid black like on a three tone sunburst it only blends the transition line where the overspray of the black is hazy. Red has very poor color hiding qualities so it does not bury the color it is going over very well. This is what give a sunburst the transitioning effect as the colors melt together.if you shoot the red after the black, doesn't it make the black look brown?
I used to not like them either, they always gave me the impression they were trying to cover up something.. You know like trying to polish a turd...Which would lead to thinking of how inferior the wood or something must be that's being hidden, at least from companies we can't repeat the name..But to buy something from Warmoth raw that one can actually see what he's working with, is a totally different ball game. Especially this one... Very nice Tonar...:headbang:Tonar8353 said:If the black is fairly transparent it changes it slightly but the beauty of this is that the colors looks different under various lighting which is the beauty of a burst. If it is shot over a solid black like on a three tone sunburst it only blends the transition line where the overspray of the black is hazy. Red has very poor color hiding qualities so it does not bury the color it is going over very well. This is what give a sunburst the transitioning effect as the colors melt together.if you shoot the red after the black, doesn't it make the black look brown?
I use to not care for sunburst guitars until I started painting them, now I think they are magic looking!
Tonar8353 said:What makes that guitar so amazing is the quilt and the way it is book matched.