Hey guys, I've lurked here for a little bit and have wanted to build a Warmoth guitar. Fate, it seems, has let me know that now is the time.
I'm a student at Berklee in Boston; therefore, I practice a lot, and have developed some nerve and tendonitis issues. A teacher of mine, Tim Miller, plays a Klein and a Klein-inspired guitar built by Rick Canton, and his guitars feel very, very good on my wrists. Kleins are discontinued and, used, reach prices of about $6000 or so...and a custom build costs at least $2000, probably more. So I've an excuse to build a guitar and I'm taking it.
Here's what I'm thinking:
1) First, it has to be headless. I'm thinking of using Ola Strandberg's hardware, seen here: http://guitarworks.thestrandbergs.com/gallery/?album=16
It appears to be the best mix of price (about $360 for the bridge and string clamps together), simplicity, and quality that I can find.
2) Use Warmoth parts, or similar. I'm at least going the bolt-on route, that's for sure. Since it's my first build, I don't want to spend a ton (also, I'm in college, so I have little to no disposable income) so it'll be built out of Alder or Swamp Ash, and probably a Maple neck/Rosewood fretboard. I love the Warmoth Wolfgang neck profile and compound radius fretboard, so that's why I'm thinking about using their stuff. For ease of playing purposes, I'm going with a 24.75" scale. So I'm thinking I'll buy a plank headstock, chop off most of it, and screw down the string clamps.
Though, I think I might have a better idea: Since the 1st fret of a 25.5" scale neck is 1.75," I'll just place the string clamps in the first "fret" and re-position the nut. That way, I would have a zero fret, and the strings won't have to be pulled down like they would in the former option.
The end result would look like this: http://guitarworks.thestrandbergs.com/gallery/?album=16&photo=196
3) The body. There are plans for a Klein guitar/harp, like the one Michael Hedges played, available through some luthier association, seen here: http://www.luth.org/plans/pl34.jpg
The body is a little bit different from the standard guitar, but I can't find a template for that. So I'll just compensate while sanding the body. The reason I'm thinking of going with Warmoth, again, is because I can have them route out for the bridge and pickups. I'm not sure how big the template will have to be blown up to get to the right proportions; I also don't know if a Warmoth body blank will be big enough to fit it. I'd rather avoid having to glue together pieces of wood for the body and just use a single piece, for purposes of both tone and simplicity.
That's all that I can think of right now. I'm making this post because I've never even soldered a pickup before, and this project is going to be very important--I've always wanted to get in to luthiery, and I need a guitar like this to practice on (and sometimes perform on, depending on the genre of music) from now on, due to my injuries. So if you guys could point out any flaws in my logic, or useful tips that I should know, or any other form of information, I'll really appreciate it.
Thanks a lot!
Alex
I'm a student at Berklee in Boston; therefore, I practice a lot, and have developed some nerve and tendonitis issues. A teacher of mine, Tim Miller, plays a Klein and a Klein-inspired guitar built by Rick Canton, and his guitars feel very, very good on my wrists. Kleins are discontinued and, used, reach prices of about $6000 or so...and a custom build costs at least $2000, probably more. So I've an excuse to build a guitar and I'm taking it.
Here's what I'm thinking:
1) First, it has to be headless. I'm thinking of using Ola Strandberg's hardware, seen here: http://guitarworks.thestrandbergs.com/gallery/?album=16
It appears to be the best mix of price (about $360 for the bridge and string clamps together), simplicity, and quality that I can find.
2) Use Warmoth parts, or similar. I'm at least going the bolt-on route, that's for sure. Since it's my first build, I don't want to spend a ton (also, I'm in college, so I have little to no disposable income) so it'll be built out of Alder or Swamp Ash, and probably a Maple neck/Rosewood fretboard. I love the Warmoth Wolfgang neck profile and compound radius fretboard, so that's why I'm thinking about using their stuff. For ease of playing purposes, I'm going with a 24.75" scale. So I'm thinking I'll buy a plank headstock, chop off most of it, and screw down the string clamps.
Though, I think I might have a better idea: Since the 1st fret of a 25.5" scale neck is 1.75," I'll just place the string clamps in the first "fret" and re-position the nut. That way, I would have a zero fret, and the strings won't have to be pulled down like they would in the former option.
The end result would look like this: http://guitarworks.thestrandbergs.com/gallery/?album=16&photo=196
3) The body. There are plans for a Klein guitar/harp, like the one Michael Hedges played, available through some luthier association, seen here: http://www.luth.org/plans/pl34.jpg
The body is a little bit different from the standard guitar, but I can't find a template for that. So I'll just compensate while sanding the body. The reason I'm thinking of going with Warmoth, again, is because I can have them route out for the bridge and pickups. I'm not sure how big the template will have to be blown up to get to the right proportions; I also don't know if a Warmoth body blank will be big enough to fit it. I'd rather avoid having to glue together pieces of wood for the body and just use a single piece, for purposes of both tone and simplicity.
That's all that I can think of right now. I'm making this post because I've never even soldered a pickup before, and this project is going to be very important--I've always wanted to get in to luthiery, and I need a guitar like this to practice on (and sometimes perform on, depending on the genre of music) from now on, due to my injuries. So if you guys could point out any flaws in my logic, or useful tips that I should know, or any other form of information, I'll really appreciate it.
Thanks a lot!
Alex