jkellington
Junior Member
- Messages
- 47
Here are some pics finally:
There is a slight flame/defect on the bottom side by the pickups which i wasn't particularily pleased with, but it's very minor
This picture give you an idea of just how open pored wenge is...
This was the other portion that I wasn't happy with, there is about a 1/8" standoff from the fret board to the top, wich is just too much in my opinion, especially considering I'm putting a wilkinson trem on here which doesn't give me a ton of height at the bridge. I'll just end up having to route the neck pocket 1/8" deeper to bring the fretboard flush against the top.
In the end, I'm happy with it. It's heavy, but I still have a LOT of cavity routing for the variax components.
The wood has a dry look to it raw which I don't find particularily appealing. What's the best way to give it the "wet" look to dfine the grain more and still retain most of the raw feel?
There is a slight flame/defect on the bottom side by the pickups which i wasn't particularily pleased with, but it's very minor
This picture give you an idea of just how open pored wenge is...
This was the other portion that I wasn't happy with, there is about a 1/8" standoff from the fret board to the top, wich is just too much in my opinion, especially considering I'm putting a wilkinson trem on here which doesn't give me a ton of height at the bridge. I'll just end up having to route the neck pocket 1/8" deeper to bring the fretboard flush against the top.
In the end, I'm happy with it. It's heavy, but I still have a LOT of cavity routing for the variax components.
The wood has a dry look to it raw which I don't find particularily appealing. What's the best way to give it the "wet" look to dfine the grain more and still retain most of the raw feel?