Verne Bunsen
Hero Member
- Messages
- 2,472
I stumbled across this beauty in the showcase and she forced me to completely re-arrange my list of guitar projects. Honestly, the body is visually more impressive than either Warmoth's excellent showcase pictures or my crappy cell phone pics have properly captured. You can see for miles into that finish. This will be my sixth guitar build, my third Warmoth, and it will be the first one that I've actually done for myself! I am quite excited!
Here's the link to the showcase listing should anyone want it:
http://www.warmoth.com/Showcase/ShowcaseItem.aspx?i=JMP775&Body=2&Path=Body#.VlRneHjv4ZI
I'm trying to get in touch with Tone-Guard for an anodized gold pickguard cut with the standard control routes, but they reply only to about 1 out of every 15 e-mails you send them and they don't answer the phone, so that's been a frustrating endeavor. I did get one reply telling me that he could do the setup I was asking for but that it would involve an up-charge. I'm good with that, and if he decides to respond to any of my "Where do I send my money" e-mails then I guess it will happen.
I haven't ordered the neck yet... Going to go vintage tint gloss maple with rosewood or ebony fretboard. The source of my paralysis-by-analysis is this: to paint the headstock black, or not to paint the headstock black?
Here's the link to the showcase listing should anyone want it:
http://www.warmoth.com/Showcase/ShowcaseItem.aspx?i=JMP775&Body=2&Path=Body#.VlRneHjv4ZI
I'm trying to get in touch with Tone-Guard for an anodized gold pickguard cut with the standard control routes, but they reply only to about 1 out of every 15 e-mails you send them and they don't answer the phone, so that's been a frustrating endeavor. I did get one reply telling me that he could do the setup I was asking for but that it would involve an up-charge. I'm good with that, and if he decides to respond to any of my "Where do I send my money" e-mails then I guess it will happen.
I haven't ordered the neck yet... Going to go vintage tint gloss maple with rosewood or ebony fretboard. The source of my paralysis-by-analysis is this: to paint the headstock black, or not to paint the headstock black?