Death by Uberschall
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Watershed said:That is pretty cleaver.
That's an interesting idea of soaking one side of the power amp and using the other to power the cabinets, however you end up being in mono. Power amp breakup is sweet though.
I had a 2:90 power amp (really great amp), but a Mesa Quad as my preamp. I do miss the Quad, I traded it for an ADA MP1 (stupid). I never soaked the 2:90 either. Just kept it at 1/2 power. The switcher (GCX Guitar Audio Switcher) took care of the other two functions of the 2:90, I forget what they were...deep and modern perhaps...
Running the effects in parallel is also an interesting idea. The switcher sort of did that in a crude way, but it was on or off and you had to use two of the loops to get stereo.
That looks like one of those Mesa floating rack cabinets. Those things are bulletproof, but HEAVY.
What is that? 20 space? Damn...
That's a serious rack man.
Tempting, but I'm not going back.
I just futzed with it too damn much, and it was a beast to move.
It did have its moments though.
Stereo sounds great on stage, but 99% of the clubs or events I've ever played were mono at the PA end. So I gave up the stereo aspect to get a better overall sound. If you run an amp head with effects racks you can only be mono in the effects loop, unless you slave another head to split it off. Stereo only works for ping pong delays and heavy stereo chorus/flanger effects, otherwise most guitar tones are mono anyway.
I found 1/2 power just made the amp seem thin, but not really lower in volume all that much. The TriAxis handles the 2:90 switching for modern, etc.
My goal when planning it out was that I wanted pure tube tone as the basis for the rest of the tones. Effects in parallel works great because you never loose the original signal's properties through signal degradation. Most rigs run the entire signal through the effects units, and as you stack them up, you start getting that "processed" or flat tone going on.
It is Mesa's 20 space shock mount rack and yes it is heavy!! But I haven't seen anything better built for rack gear yet.
It hasn't been on stage in about 5 yrs. Really haven't been playing shows big enough to warrant lugging it around. But it does sound sweet.