When I started getting interested in seven string guitars it was much more about that than about... "djenting" on the bottom two frets while gaily Cookie-Monstering love ballads about how much I loved eating dead people's raw organs before their eyes (and a little before they were dead, IYKWIM). I mean, I don't do that kind of jazz neither, but to me the neatest thing about the sevens are the wide spaced chords you can get while way up the neck... and it seems like that should be equally applicable to any kind of music that needs, umm, chords. :icon_scratch:
Much to my surprise, there are only two kinds of seven-strings in the world (fo' real!): hand-carved, exclusive fatboy jazz instruments that cost several thousand dollars and are played by Sensitive Guys in Sportcoats; and those that are specifically geared towards "djenting" on the bottom two frets while gaily Cookie-Monstering love ballads about how much one loved eating dead people's raw organs before their eyes (and a little before they were dead, IYKWIM).
I got by with a decent organ-munch-type Ibanez but it had a little flat/wide neck (colloquially called "Popsicle sticks") so I made a Warmoth, but alas, they ONLY come with P-stiks too, so I finally found one nice fatty-neck Schecter made in 1999 (before they knew you had to make only one of two kinds) and another Schecter with delish li'l bats on the fretboard. But then my hands got mad at being so old, mostly, and now both Schecters gravitate towards slide-only, at which they also do fine. And weirdly enough - the good Ibby (RG2470? 2640? something like that) and the bat-strewn Schecter actually proved that - a basswood body and clean EMG-ish pickups can do a very passable imitation of a jazz guitar! You have to unplug all 12 stompboxes and the Bogner, Tripple-Wrecktifier etc, hit it on the JC120 or something.... a hair of reverb, and you're good to go.
I could possibly mention that about 95% of real rockabilly was played on Telecasters (because what real rockabilly "star" could ever afford a Gretch?) and them guys owe a small fortune to Brian Setzer for installing the Gretch as the only guitar for it - sure Duane Eddy played one, so did... ummm, Chet Atkins? But Gretches do do a passable Telecaster imitation through the right amp, at least. Did somebody say doo-doo?
VEE MUZT HAV ZEE RIGHT GUITAR TO PLAY ZEE RIGHT MUSIC...
VEE MUZT HAV ZEE RIGHT GUITAR TO PLAY ZEE RIGHT MUSIC...
VEE MUZT HAV ZEE RIGHT GUITAR TO PLAY ZEE RIGHT MUSIC...
Now, I am a huge John Fogerty fan - if he hadn't got the royal record company screw to end all record company screws - he might very well be ranked right up there with the Beatles and Stones as somebody who snuck a shitload busful of rock songs onto the top-40 pop charts - actually, more than the Stones... but what's cute about recent years is, he finally has enough money to buy a whole pile of guitars! And just because he can, he plays them ALL in concerts, like, seriously, seven or nine?
And, amazingly enough, he sounds exactly like John Fogerty on every one! :headbang:
https://www.youtube.com/watch?v=UjlY1nmSJCM
https://www.youtube.com/watch?v=17a0SQ-Czeo