Thanks for all the positive feedback.
Personally, I think the color works with the neck; there was a lot of hemming and hawing.
It's actually a mix of Aniline blue and MEK blue, on top of Aniline black.
I must have redone the top 4 times to get it to where I was content.
I think the satin works out nice with the unfinished neck too.
I really like the wenge/purpleheart neck combo.
You don't often see a wenge fingerboard, but I give it a big thumbs up.
Acoustically, the guitar sounds more like a Les Paul than a Strat.
Hard to describe, but bright.
The JB in the bridge really has some "balls", for lack of a better word.
It's raunchy and unapologetic. The '59 is "sweet", the JB is "nasty".
It's a good mix.
I have the middle pickup set to go out of phase with a push-pull on the tone knob.
That's really a thin sound. Brian May Schmian May...
I think I'll scrap that and use the push-pull for a series-parallel on the '59.