Any thoughtful person can make a list of at least a dozen factors why one guitar should or shouldn't sound "like" another, before you ever get to the amplifier, speaker, or
the gob of meat connected to the strings.... If you're serious about trying to duplicate sounds found on recordings, you need some substantive tone shaping before the overdrive sections, either a 15 -30 band graphic EQ or a parametric EQ with at least four bands with variable Q width and center frequencies. You need control over preamp (12AX7) overdrive, then another EQ after that, control over the power amp distortion, then
another EQ stage - this last is usually furnished by speaker selection, i.e. 12" guitar speakers with no tweeters kill off a lot of highs, 25 watt "classic" speakers distort and hi-fi JBL's don't. If you have all that*, then any decent guitar pickup that furnishes adequate highs, mids, and lows will be a good starting point, once you
understand what frequencies you're trying to duplicate.
And, it's all assuming your guitar doesn't just totally suck, which it probably doesn't - probably,
you suck...
![Stick out tongue :p :p](https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f61b.png)
arty07:
*(The best modelers, like the Digitech GSP, Boss VF-1, or the newer amp plug-ins give you all this, though you have to
figure out how to move the preamps and EQ's around... no glowing, smelly tubes, alas)
There are a lot of historical accidents that sound good, mostly because we've grown up listening to them, hence we think they're "right"...
![Eek! :o :o](https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f631.png)
ccasion14:
What guitar mags trying to sell you guitars and stompboxes and modelers
don't tell you about is the $25,000 worth of high-end Eventide & Lexicon rack processors that guitar gods run through
after the soundboard feed :evil4: -
- gee, maybe this $150 stompbox'll do it.... no? Well, then I need a new pickup... no? Well, clearly I need a $80 guitar cord.... :hello2: :cool01: :blob7: