DMRACO said:
I must say I have never been a fan of painted graphics on a guitar...... but this one it top notch... :icon_thumright:
Some theme guitars can be over the top and gaudy...but this is VERY tasteful. I love the green background.
I must admit I have never seen 5 springs used on a floyd. I have always used three. I suppose I should experiment with the number of spings and tention to create different feels.
anyway....nice job....
Thanks DMRACO.
I knew from the beginning of the design (and I'd like to think I have a pretty good background in art and
composition) that there is a VERY fine line between 'totally wicked!' and 'Holy f-ing CHEESE...'.
I think we've all seen too many examples of the lame kind, so I was very conscientious of that. But really,
I set out to design a guitar that (conceivably) Dave Murray himself would
want to play. Not only that, but I
was dealing with some very serious themes. The Battle of Britain, the Supermarine Spitfire itself a work of
art - stalwart defender of a nation beseiged in a very dark time, and Iron Maiden themselves all demanded respect.
Iron Maiden (whether you love or loathe them) are one of the iconic bands of an era, helped define a whole genre of
music, and are one of the best live performing bands
ever. I wasn't about to make anything that I felt didn't
honor every one of them. And I don't mean that in
any sort of arrogant way, its
simply out of love - for one
of my favorite guitarists, my favorite band, and one of my favorite pieces of history, all of them united by one
song (a hit single at that!
). I think thats one of the main reasons I've received so many positive responses and
encouraging words during the build and now the guitar is done - I think people can see and feel how much love and
care I tried to put into every aspect of its construction, even over a 'medium' like the Internet. Granted 'love' is a double-
edged sword in this case as I was throwing money at everything left and right because I was determined not to 'half-ass' a
single detail because it all meant so much to
me personally.
Regarding the springs, I agree - my other Floyd-equiped guitars, a Jackson and ESP both use three springs.
The springs on my Aces High strat are from: http://www.rawvintage.com/eng/item_springs.php
They are designed to be used in sets of 4 or 5. I initially only thought I'd use four, but when I was setting up
the bridge to be level with the body, I was still getting to much forward pull/dive from the string tension. Obviously,
I could have compensated with more spring-claw distance, but it got to a certain point where adding the fifth
spring made more sense than more spring-claw adjustment - and I knew from the company's view thats how they
recommended that they be used/installed.
Now that I've had some time to really play the guitar and get to know it - I'm surpised by how much difference
the Raw Vintage springs actually make (vs. just being the stereotypical marketing hype companies love to make
about tone). First off, I can easily tell that the springs are markedly different from my other trem springs in terms of
their actual thickness and tension (and I'm talking 'feel' here, not just their appearence). Second, more springs
attatched at the trem block means more mechanical energy is transfered into the body via the claw and anchoring
screws, and I can tell you - I am absolutley floored at how well and long this guitar sustains (on an Alder body no less).
I can't tell you if the Raw Vintage springs or the brass sustain block have more of an influence, but I don't care - I know I
just love the result! :icon_thumright: The third thing I found that while doing string bends the strings really feel as if they're
at an overall lower tension at standard tuning, like I've got the guitar tuned to drop D (or lower) for example. I'm literally
surprised every time I make any bend (2-step for instance) and its just so
effortless. I know I've got five springs back
there, but if I didnt know better I'd think it was more like two! Now, I've never had stainless steel frets and I know I have
to account for them in the 'feel' category, but I just can't shake the impression that I'm really glad I decided to buy some
'gimmicky' tremolo springs and installing all five. So far, the springs are doing exactly what Raw Vintage said they'd do,
in my opinon thats $20 well spent!
Up the Irons!
ORCRiST