Leaderboard

AC/DC concert tickets and 1hour+ clicking F5

Max said:
OzziePete said:
...Jagger or McCartney, you'd just employ a stack of very aggressive corporate lawyers to deal with matters and no one would be game to try and rip you off.
Dear Allen Klien...

HE was a pussycat compared to what happened to Badfinger and T-Rex! Have a search on You Tube for the doco stories on those acts, Max, it will wise you up to some real shonky business.

The royalties for songs like "Can't Live (if living is without you)" - Badfinger members & other Badfinger songs, and the T-Rex songlist, go directly to corporate entities these days while the supposed 'heirs' to the family fortune are near destitute. Truly tragic mate.
 
I just wanted to know who are the genius who decide to book only one concert for the whole country (we're 180millions)... AC/DC came in January 1985 (I was 2months old) and in 90-something (didn't even know what was rock) and that's it...
Everytime that comes a big band here is the same, they book few concerts

Hey, ya seen one Brazilian, ya seen 'em all.... :toothy12: (oops) I think most musicians, especially the ones who came up through bars and such, are quite aware of trying to treat the fans right - but they get advice from so many "businessmen", their heads get spun around. The "businessmen" are for the most part the ones who have tanked their own careers and profits, these days.

Did you know that 75% of all music sales is still in CD's, not in downloads?  :hello2:

What you read from the Hollywood-based reporters, with important sources at the major labels*, is that downloads are "killing" CD sales - and they are, FOR THE MAJOR LABELS. The executives riding around in limos (who can't carry a tune in a bucket) are shocked at the notion that things can't go on as always, with them making all the money and the musicians doing all that drivel-y little "creative" crap. Bands selling their own CD's are doing great, CD Baby is doing great, DiscMakers is doing great....

A lot of the musicians I like best are in the economic bracket where, depending on the type of gig, they have to rent amps and PA systems, so another important growth field is providing high-quality backlines on a local basis. A whole schmuckload of people from Iron Maiden to John McLaughlin have actually designed their touring rigs around laptops and modeler arrays that can be plugged into any decent PA, because they just can't afford to let the airlines go on destroying high-end amps anymore. I don't imagine AC/DC are shipping their own Marshalls to Brazil.

*(I.M. Important Source, feer my powr!)
 
I'd imagine that Malcolm and Angus' prized Marshall amps are safely in Australia somewhere and haven't left the building since the last recording date. They'd be crazy to take that sort of one off sounding amp on the road these days.

I was surprised that Neil Young still persists with the 59 Deluxe/Whizzer/ Baldwin etc. backline - that stuff must travel First Class in it's own seat  :laughing7:. & share a 5 star hotel room with Old Black!
 
OzziePete said:
was surprised that Neil Young still persists with the 59 Deluxe/Whizzer/ Baldwin etc. backline - that stuff must travel First Class in it's own seat  :laughing7:. & share a 5 star hotel room with Old Black!

Bit of a thread resurrection here, but Neil has very proctective and loyal people around him to look after him and his stuff. And apparently he owns hundreds of Deluxes and only one makes that sound...
 
kboman said:
OzziePete said:
was surprised that Neil Young still persists with the 59 Deluxe/Whizzer/ Baldwin etc. backline - that stuff must travel First Class in it's own seat  :laughing7:. & share a 5 star hotel room with Old Black!

Bit of a thread resurrection here, but Neil has very proctective and loyal people around him to look after him and his stuff. And apparently he owns hundreds of Deluxes and only one makes that sound...

I recently read an interview with his tech guy, who explained how his guitar is going through like 6 amps and 10 other weird devices..
..... and he still sounds like crap ;)


it reminded me of this:

I'll tell you how it works, right? I took a note, sawtooth wave, right off this pantomime four, ran it back here, re-jammed it through itself, looped it back, mixed it with the sound of this crab committing suicide, and let it stew in its own reverb for about three hours, right? And then I pump it all out through this shoe, to give it that oaky timbre.

 
I  can't imagine what AC/DC would sound like with Neil Young.  Their big hit songs would be something like "Have a Drink on Me, Southern Man"  and "Hey Hey, My My (Back in Black)".
 
Back
Top