Strat Avenger
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Standard-Thin with 6150s all the way, and there's no such thing as a 1-1/16" nut width on a 6-string guitar.
Hendrix, SRV, Clapton, Richie Sambora, Carlos Santana, Joe Perry, John Frusciante and Prince would all like a word with you. If anything, it's metal that shuns thumb-over playing.Cagey said:As for the thumb-over technique... have you ever seen a classical guitarist use their thumb to fret? There's a reason they don't care about that ability. You're not supposed to do it. It's a technique reserved for the punkers and metal players who think it looks cools to hang their guitars down around their knees and so can't fret properly because they lack simian body proportions.
Street Avenger said:Standard-Thin with 6150s all the way, and there's no such thing as a 1-1/16" nut width on a 6-string guitar.
Ace Flibble said:Hendrix, SRV, Clapton, Richie Sambora, Carlos Santana, Joe Perry, John Frusciante and Prince would all like a word with you. If anything, it's metal that shuns thumb-over playing.
StubHead said:The reason the Wizard necks are popular for shredding is another physical thing. Hold your left hand with the fingers and thumb pointing at your face. Hold the tip of your thumb and the tip of your middle finger together, and try to widen the gap among your fingers. Now, pull your thumb and middle finger apart and watch how your other fingers can spread out. The way a Wizard kind of profile works is by keeping your thumb in the back, but point your thumb straight down toward the headstock. Your fingers actually spread more the further they are from your thumb.
There's a style of playing with quick bends interspersed with fingerings that doesn't work on a Wizard, it becomes kind of an either/or choice. Duane Allman, Jerry Garcia, and the old-school rockers could play this way, the country guys are still great at it, but I don't think you could play Allman's solos on "Stormy Monday" or "Little Wing" on a Wizard, I sure couldn't at least.
http://www.youtube.com/watch?v=jLPHz8KT9No
Cagey said:Don't be silly. Read the post again.
tfarny said:OP: The PRS wide fat 1 11/16 necks are identical in feel (to me) to the '59. play one if you're not sure.
fdesalvo said:tfarny said:OP: The PRS wide fat 1 11/16 necks are identical in feel (to me) to the '59. play one if you're not sure.
...annnnd the thread is back on track, completing the typical "What does the **** profile feel like?" thread lifecycle with the ever effective thread-killer, "Go play one."
Seriously thigh, I know what you mean and it's the only real way to know, though it's fun to sit around speculating. Ive read on one to he Gibbo boards that the PRS WF is almost identical in feel to Gibbo's 50s style carve. If that's the case, then I'll hate it and be left pining for the 60's Slim Taper feel, as many others have expressed.
Thanks, all.
Daze of October said:I'm not sure what the specs on my 2003 Jackson USA's KV2 "Speed Neck" are, but damned would I like to know. I want this neck on my next W build. I want a neck as close as possible to this neck.
I love my Wizard neck on my current W but damn, this Jackson neck just feels sooooooo good! :binkybaby:
Cagey said:Thickness isn't everything. There's "profile" as well. A "U" shaped neck can be the same thickness at the 1st and 12th fret as a "C" or "D" shaped neck, but they'll feel dramatically different. For those who haven't seen it, Warmoth has a page where they show the relationship between profiles that they offer. As you look through those, you'll notice there are examples where the dimensions change very little, but the cross-sectional shape (profile) does.
riverbluff said:I picked the 59 roundback for my first Warmoth build based on the recommendations to the folks here on the board. I was building a LP and wanted a neck similar to my Gibson LP (made in 1985/1985). The 59 roundback was nigh on a perfect match. Since then I have built several guitars with the standard thin and boatnect profiles and the 59 roundback is still my #1 choice.
Bill