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Wow, what a cluster....!

Torment Leaves Scars

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So, let me all give ya the lowdown here...

On 11/13 I ordered myself a Randall RT100H amplifier head.  It arrived approximately 5 business days later and didn't work, right out of the box.  The Clean channel worked but the two Overdrive channels didn't.  The volume would not increase above what you'd get from a really bad 5w "Gorilla" practice amp.

The part that really sucks about this first incident is that after receiving the head I still had to wait about 5 days to a week before even playing it, as I was waiting on a custom cabinet from Avatar (G412 with two Vintage 30s, two K100s).  I was all excited, plugged in, and, well...nothing.  :dontknow:  So, within 10 minutes the head was out of the box and back in the box.

I contacted Musician's Friend and they sent me a return label, and off to UPS it went.  I got the replacement approximately 10 days later, as they had to wait on the first one before sending a replacement.

My replacement worked fine...for about two weeks.  Then, all of a sudden, I started jammin' out one evening and the sound just got fizzy all of a sudden, and turned to static.  I thought to myself, "You have GOTTA BE f-ing joking."[/i]  :help:  Once again, I contacted Musician's Friend, only this time telling them I did NOT want a third one.  Instead, I chose something else.

About four days before the replacement sh*t the bed, I'd posted about my Randall RT100H on another forum, stating how much I liked it and how versatile it was, but I questioned its reliability due to my experience with the first one, plus its "Assembled in China" roots (Had I known this prior to original purchase, I would NOT have gotten this head).  Someone suggested I could have gone with a Peavey 3120, which was a head he had and really liked for all sorts of Metal.

I did some research on the 3120 just to see what it sounded like, and it sounded nice.  Other than that, I didn't put much thought into it as I'd already had a real nice head that I really liked.

So, on 12/22 the head popped.  When I spoke to the rep at Musician's Friend, I told him to charge me the difference for the 3120.  Again I received a return label and sent it off.  My "MADE IN USA" head was shipped off and I received it last night.

Right out of the box, everything works.  The knobs are tight like they should be, there aren't any bubbles in the tolex like there was on the Randall, and the Cleans are crisp, the Overdrive channels are "defined," clear, and crisp, all while still being high in gain.  This head is far superior to the Randall in every single way.  Not to mention, where the Randall would get caught in a mix, the 3120 punches right through.  :party07:

Over a month later, I'm hoping my woes are a thing of the past.  I have confidence in Peavey, and people assure me their Peavey products have lasted a very long time.  At this point, I'm appreciating the reassurance, and I hope they're right.  :occasion14:
 
Peavey's are made in China, too.

Not that I care, just that "made in China" doesn't necessarily mean low quality. They simply build to spec. If a company gives them a shoddy design or poorly spec'd bill of material, you're going to get a less than thrilling product.
 
Some are, but not all.  I believe the 3120s are made in Mississippi.  How much is another thing.  Rest assured, the tubes are Chinese, but what'd ya gonna do?  It seems most everything comes with Chinese tubes as OEM.  Politicallly, I like the ones made by former communists even if they're identical.  I'm nostalgic like that.  I'm more interested how it "cuts through the mix".  That phrase most certainly refers to EQ more than volume or build quality.  I understood this was for home use, practice and recording.  Where's the mix?
 
I've had a made-in-USA Peavey Classic 30 head for 20 years or so, it's outlasted a Mesa/Boogie and a '73 no-master Marshall 50w head... I've been using a couple of their Black Widow speakers for about half that long too, they're like the "JBLs you can't have stolen." Through the 80's and 90's there was a thriving aftermarket for "Marshall" emblems, so that musicians could pull the "Peavey" name off the amps and pretend to be cool. Me likee.

Of course nowadays we are fully into the era of the "disposable amp", everything from Crates to Fenders are built with the pots and the tubes attached to the circuit board, and if/when it breaks, it's easier to replace the whole board rather than a single part. It doesn't keep them from sounding good, "point-to-point" wiring is only as good as the guy doing it, and I'd trust Fender or Peavey's Chinese prison farm laborers more than I'd trust half the maker of these newer "boutique" amps. There just can't have been that many $3,500 amps that were needed.
 
StubHead said:
..."point-to-point" wiring is only as good as the guy doing it, and I'd trust Fender or Peavey's chines prison farm laborers more than I'd trust half the maker of these newer "boutique" amps. There just can't have been that many $3,500 amps that were needed.

I remember those Black Widows. Nice parts.

Speaking of nice speakers, if anyone is enamored with the EVM 12L but can't see their way clear to pay what they're asking, the Eminence Delta Pro 12A is very much the same thing at half the price or less. Watch that description - there's more than one model. You want the Pro 12A.

As for the boutique amps, I don't think there are as many out there as one might be led to believe. Lotta suppliers, no doubt, but production levels are probably in the 10-20 units per year range, if that. Takes a long time to build an amp completely by hand, and in the US I don't think you'll find anybody that wants to do such work for much less than $25/hr, and usually more. So, $3,500 for what used to be a $500 Fender isn't surprising. And really, at that rate, who needs to build more than 20 units/year? That's $70K in sales for ~$10K in costs, for a net of $60K. I could live on that, as long as I stayed single <grin>
 
Please don't be insulted by this but you might want to check the impedence on your cab.  :dontknow:
 
Yeah, glad things worked out.  I run a Splawn QuickRod through a 4x12 loaded with G12k-100s and it's just massive.  In fact everything I run through that cab sounds amazing. 
 
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