BUT WAIT THERE'S MORE!
The lumber before milling. As noted earlier in this thread, I think, or maybe elsewhere: I scored some super-cheapo mahogany offcuts from a retiring luthier's consignment to Woodcraft up in the Bay Area, and they've been sitting around in my garage for about 10 years now. In that time, they have served admirably as chocks, clamping cauls, doorstops, weights for carpet corners, and so on. But it is now time for them to meet their highest, best possible use.
And the bookmatched quilt maple top I also picked up for a song - like, $18USD or something like that - because it was stained and bowed? I dunno, I got a pretty good deal. I have stored the maple sandwiched between other materials to keep it/make it flatter than it would remain if left to its own devices. Anyway, the Raw Materials photo:
So I have jointed and thickness-planed the mahogany and cut it to the width I will probably keep it at for the body, but I have not yet glued it up. I am facing a choice, since the mahogany is in five pieces of inconsistent color: Do I just glue up the boards and paint the back with a solid color, to hide the joints? Or do I cut some thin-ish figured maple stringers and make the contrasting joints and patchwork nature of the blank part of the overall look of the guitar? I welcome your input, but make no promises as to whether I'll heed it.
And I took a big risk, and stuck the top down on a plywood sled to take a ride through the planer, since it was in such rough shape. And I have concluded that this was a good idea ONCE, but I won't do it again, since I have some nasty tear-out in a portion of the lumber that will end up getting cut off when I cut out the body, and I don't want to have the same thing happen to any of the surface I expect to keep.
My friend wants a tortoise-shell binding on this, so I'll either put an untinted clearcoat on the maple, and leave it at that; or I'll stain it with nothing darker than an a dilute yellow or amber dye. That brown inclusion on the left side of the lower bout is unfortunate, but this is what you get with natural materials. There's a pretty good chance I'll lose it, or most of it, when I cut the F-hole, anyway.
My friend also thinks he wants a tortoise-shell pickguard, of some sort, but I will probably tell him to go to hell on that one. I mean, LOOK AT THAT FIGURE. I might make a clear acrylic one with a tortoise-shell-bound edge, or something; but who wants to cover up that gorgeous maple?
Anyway, that's how it sits right now.