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Treble Bleed; Variants and personal experiences?

Tretgeraet

Junior Member
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Hallo Leute,
I just finished my telly build and in the wiring kit I bought from Rockinger, they included a treble bleed, in this example a 150k resistor and a 1nF capacitor in parallel, wired between the hot and middle lug of the volume pot.

I really like the effect and decided that my 7/8 S-Style, having only one humbucker and one volume pot, needs something like this, too.

But Rockinger shys away from giving recommendations, stating that the right recipe is depended on personal taste and which pickups and wiring is used and also what else is in the signal chain, like fuzzes, treble boosters, etc.

So, I'm going to have to experiment, but also, I'm asking you if anyone of you has personal experiences and/or preferences regarding treble bleed.

The guitar in question has a Seymour Duncan '78 model (low to medium output AlNiCo 2 humbucker) and a 500k volume pot. I use it mainly to play Metal, but I also play a huge variety of styles and strive for maximum versatility, as Aaron would call it. :ROFLMAO: I hope everyone here knows what that means.

Any experiences? Any recommendations?
 
The guitar in question has a Seymour Duncan '78 model (low to medium output AlNiCo 2 humbucker) and a 500k volume pot. I use it mainly to play Metal, but I also play a huge variety of styles and strive for maximum versatility, as Aaron would call it. :ROFLMAO: I hope everyone here knows what that means.

You, sir, are a man of intelligence and taste.

I really like treble bleeds. I've tried some that are fantastic, and some that were really awful. My two favorites are:

The one that comes on PRS pots found here, which are also my favorite pots in the whole world. They are stupidly expensive, and I know people claim they are just rebranded Bournes with a massive pricetag, but I've never found any other pots with such a perfect sweep, and the treble bleed is likewise perfect.

The other one I like is the mojotone one here.
 
Ok, now we have all 3 treble bleed variants I already heard of before: 😅

1nF parallel with 150k (Rockinger / Stratamania)

470pF parallel with 220k (Mojotone)

180pF without parallel resistor (PRS)

I understand the basic principal of the capacitor being a frequency dependent resistor and I think I understand the parallel resistor is meant to counteract the sound getting too shrill at low volumes.

What I don't understand is, why the capacitor values are so much higher, when there's a parallel resistor.

And yes, this might be overthinking it, but it's also fun. I like to understand things. 🙂
 
1nF is a large value in the context of treble bleeds, which tends to be used for Telecasters. You could keep a similar circuit and swap it for 680pF, which makes it closer to what Suhr put in their guitars.

Ibanez sometimes use 330pF, but with no parrallel resistor and that is a very noticeable effect IMO.
 
I always use the MojoTone (220K resistor in parallel with a 471pf cap) since I already order all my pots from them (modified CTS). Have always been very happy with them.

 
 
I found that a little hard to read, but... isn't that for tone pots?

I mean... 🤭...
7/8 S-Style, having only one humbucker and one volume pot
😅
 
And yes, this might be overthinking it, but it's also fun. I like to understand things. 🙂

I explained some of this in an earlier post, there are also some links in that post should you wish to dig deeper.

 
I used to use the Fender ones from the American pro series. But through experimentation, I found that simply changing the tone to be connected like vintage Gibson wiring on the center output lug instead of the hot from the pickup/switch it achieved a similar effect for me.
 
Ok, now we have all 3 treble bleed variants I already heard of before: 😅

1nF parallel with 150k (Rockinger / Stratamania)

470pF parallel with 220k (Mojotone)

180pF without parallel resistor (PRS)

I understand the basic principal of the capacitor being a frequency dependent resistor and I think I understand the parallel resistor is meant to counteract the sound getting too shrill at low volumes.

What I don't understand is, why the capacitor values are so much higher, when there's a parallel resistor.

And yes, this might be overthinking it, but it's also fun. I like to understand things. 🙂
You need to also learn about the Kinman series treble bleed. ;)

sddefault.jpg
 
You need to also learn about the Kinman series treble bleed. ;)

sddefault.jpg
Googling for the treble bleed of the man and his kin ("kinman treble bleed") led to an interesting article:
https://www.seymourduncan.com/blog/latest-updates/3-popular-treble-bleed-mods-what-you-need-to-know

Maybe I will use the kinman variant on my purple guitar and the prs/simple/cap only variant on the 7/8 S-Style.

Thanks for all the input, my only "experience" with treble bleed apart from the tele wiring kit was with my Gibson-made Kramer Gunstar, which has treble bleed caps, but also linear volume pots...😔🙄 so I could never make much use out of them.

I will keep you all updated about my findings. 😊
 
Googling for the treble bleed of the man and his kin ("kinman treble bleed") led to an interesting article:
https://www.seymourduncan.com/blog/latest-updates/3-popular-treble-bleed-mods-what-you-need-to-know

Maybe I will use the kinman variant on my purple guitar and the prs/simple/cap only variant on the 7/8 S-Style.

Thanks for all the input, my only "experience" with treble bleed apart from the tele wiring kit was with my Gibson-made Kramer Gunstar, which has treble bleed caps, but also linear volume pots...😔🙄 so I could never make much use out of them.

I will keep you all updated about my findings. 😊
I had grandiose plans to try them all out with different values but then life happened and I just ran with the small cap alone. I am certain the others are better though!
 
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