ALERT: APPROACHING GOLD HARDWARE ZONE! rotflmao
Sorry only one pic so far, and I hope it actually posts; my cell phone is snafu this evening. Can post more if y'all desire.
Non-chambered mahogany LP body w/maple top and contoured heel.
Mahogany neck, ebony fretboard, ivoroid binding, gold frets, Celtic cross inlays; neck and peghead finished dark brown.
Earvana nut, Grover tuners.
Manlius pickups (but of course): Asphalt bridge, Fat Diane neck.
Thus far, I have only run it through an old 20-watt Crate Vintage Club amp (nice little amps, BTW). At the risk of sounding like an egotistical schmuck, the tone is not too shabby.
Will be fired up through the Marshall at rehearsal this Saturday. No prisoners.
cjpm
"You've got to approach every gig like it's the last one you'll ever get to play, like they're gonna outlaw music at midnight and you will NOT be taken alive when they come to shut you down."
Sorry only one pic so far, and I hope it actually posts; my cell phone is snafu this evening. Can post more if y'all desire.
Non-chambered mahogany LP body w/maple top and contoured heel.
Mahogany neck, ebony fretboard, ivoroid binding, gold frets, Celtic cross inlays; neck and peghead finished dark brown.
Earvana nut, Grover tuners.
Manlius pickups (but of course): Asphalt bridge, Fat Diane neck.
Thus far, I have only run it through an old 20-watt Crate Vintage Club amp (nice little amps, BTW). At the risk of sounding like an egotistical schmuck, the tone is not too shabby.
Will be fired up through the Marshall at rehearsal this Saturday. No prisoners.
cjpm
"You've got to approach every gig like it's the last one you'll ever get to play, like they're gonna outlaw music at midnight and you will NOT be taken alive when they come to shut you down."