It's been six months since the bad news on the soloist (Cuesto non va bene!). Remember the story was I had a special bridge to install--the Schaller Hannes, and decided to hire local help--supposedly a 'luthier' with 30 years of experience. He butchered my baby. I've got over 2k in this beast and this moron installed the bridge 2mm to the left and the strings were off center, it was a disaster. The thread tells the story. :help:
Well, with the generous assistance of Cagey, he and another member were able to resurrect the damage and restore this fine instrument not only to being playable--it is something to behold. The tone is to die for. The feel is
butter. The aesthetics make me want to stare at it for hours. This guitar plays like a Cadillac, if that makes any sense. It's so tonally responsive, and the single tone knob has such a nice wide variation. Plugged straight into my Swart STR, it's killer--with the JHS Muffuletta, forgetaboutit! I mean super special. This thing is heavy, but the tone is monster. It's a far cry from any of the others I have built, and even though the bridge was originally installed incorrectly, thanks to Cagey it's not just operational, it rocks like a fuggin tank. Sustain and tone are incredible.
So, what we have is a Soloist, quilted maple on maple UC top, Warmoth satin finish, 3-A birdseye Warmoth neck (burnished), and a Seymour Duncan "Whole Lotta Love" humbucker. Crazy guitar. Maple, maple, and more maple. :toothy12: Here are some pics after the repairs:
Very nice work, Cagey.
The Mary Kaye strat (Tonar finish) is on hold for now due to being crazy busy, but will be a masterpiece, too I believe.