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The Baroque Strat

Strangs

Junior Member
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Here's what I'm playing this morning. One of a string of dubious Warmoth connections. I bought the pickguard material from big Dubs, sooooo... counts. Ultra cheapo mahoganish body came to me nearly 10 years ago with the two outer pieces of the 3-4pc body split at the lower bout and splayed out, so I tossed it on a shelf until sometime mid-covid. Always had this idea of carving a strat body, but leaving the perimeter/profile intact. This was the worst body/piece of wood to ever choose to do this with, but after 6,000 coats of primer and wipe-on poly it came out surprisingly smooth. The switch position actually works well, but due to the carving is pushed a little closer than I'd prefer. I will definitely reproduce that on a different build where I have a little more room to work. It's wired sorta H-S-H:
5. Neck & Middle in series
4. Neck (only single-coil position)
3. Neck and Middle in parallel
2. Middle and Bridge in parallel
1. Middle and Bridge in series

The big tuner buttons look cool, but without the locking tuners it would be a pain to wind. Something about the lipstick pickups made me string it up lighter than I would normally with 9's tuned to E standard. And, who needs 2 tone knobs? Looks kinda like a strat, but sounds very different. Anybody else love thinner s-style bodies? I wish this was an option I could choose from more shops.

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That looks cool! The golden looking finish on the body ... how did you do that?
Thanks! I used a dense foam brush with a high-end artist acrylic paint patting the brush on it's side to leave a fine texture that catches the light. Then slowly filled in the valleys with wipe-on poly until I could sand it smooth and not lose the gold.
 
Wild. Headstock is a more literal translation of the designs seen on classical stringed instruments, and I love it.
 
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