So is worn out ripped up jeans in Japan. There's places around that pay good money for used trashed out jeans, then they sell them overseas...But I agree, if it's beat up I want it to be because I beat it up... :laughing7:mayfly said:kinda reminds me of distressed 'antique" furniture.
Not sure who buys this stuff, but clearly someone does. It's big business.
thumb55 said:lame dosen't begin to describe it........Are those from the Korea, Japan, or Mexico "Custom Shop"?
As it should be! There's a reason they refer to a truly reliced guitar as having miles on it.jimh said:If I was to have a beaten up guitar, I'd want it to be beaten up because I beat it up. Stevie Ray and Rory G's strats are knackered goes those guys took them out and played the hell out of them night after night for years and years. And now those guitars have a bit of soul, and could tell some amazing stories.
Some brand new guitar that was made to look old is kinda wasted on me. You pay a lot of money for the relic'ing process. I'd rather spend the money on getting some better wood or pickups or whatever. Then have a great guitar that I could take out every night, and make amazing music. Then in 20 years time my guitar would still be made out of great wood, with great pickups, AND would have some great battle damage and great stories.
hannaugh said:I think this type of thing is stupid. It's like paying extra for pre-ripped jeans:
http://www.premierguitar.com/Magazine/Issue/Daily/News/Fender_Road_Worn_Series.aspx
hannaugh said:Yeah, I like real worn finishes. My 90 year old tenor banjo is kind of beaten up and the metal has this awesome look because the nickel wore off of it and it is all coppery. But fake patina or fake battle scars are lame.