Superlizard said:I'd go with Soundgarden Badmotorfinger and a handful of AiC tunes, but the 90's were pretty much forgettable.
You know how they have tributes to the 50's 60's 70's 80's? In the media?
The 90's? Pfft. Nothing to really speak about. It was the first decade to have no soul of its own.
And it didn't have a "soul" because having a "soul" meant you stood for something or another, and doing so
was deemed "offensive" (this ties right in with the "no solos, no extravagance" music philosophy). It was
more "noble" to be deemed a nobody/loser who stood for nobody and nothing.
But nothing=forgettable.
And c'mon - dinosaurrockguitar.com ownz 'em all...
...the guitar gods doth lurketh in there, after all.
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Or to sum up (musically speaking again):
Even though I am pretty much opposed to all they stood for, I would respect a 60's hippie any day over
a (similar-aged) 90's flannel-wearing stand-for-nothing navel-gazer.
Because the hippie stood for something at least. And that's why they're memorable and therefore
etched into our music history.
Hi.
This strikes me as kind of... uninformed. There is a great big difference between "I can relate to this music" and "there is nothing relatable in this music" and to me it sounds like you are confusing the two in the above quote. As someone who came to musical conciousness in the 1990's, let me tell you that there was plenty of standing-up for various beliefs and vast amounts of superb music being done.
Here, for example, we had a big straight edge/hardcore scene with bands like Refused getting some serious international attention. A band called Kent made it cool to sing in Swedish again and have almost on their own re-defined what "mainstream" is while at their best staying on the edge of it themselves (much like U2 have done on an international level). There was Radiohead, Björk and many more creating great new music.
If you don't like it that's fine, but don't say it had no soul. That soul was just shaped differently.
Hey, how about that rack gear?