Cagey
Mythical Status
- Messages
- 24,425
I've never owned a Tele. But, I can appreciate what you're saying. One of my favorite guitars of all time was one of my first, a '61 Melody Maker. It had a similar attraction to the Tele - there was nothing to think about but playing. Very few switches/knobs/pots cluttering the thing up. Straight, fat neck. Relatively accessible frets. No fancy mechanics. Just a straightforward guitar. 
That's what's nice about Teles. Very straightforward. Has two pickups, so you get an inside voice and an outside voice, and a way to switch between them. One volume/tone. What else do you need?
My only problem with them has always been appearance. I've never liked the look of a Tele. Of course, that was before I started seeing what could be done with one here. Now, I'm getting the urge to finally make the jump. Just gotta get through a few other projects, then it'll be TeleTime. Probably in the spring, unless something falls in my lap.
				
			That's what's nice about Teles. Very straightforward. Has two pickups, so you get an inside voice and an outside voice, and a way to switch between them. One volume/tone. What else do you need?
My only problem with them has always been appearance. I've never liked the look of a Tele. Of course, that was before I started seeing what could be done with one here. Now, I'm getting the urge to finally make the jump. Just gotta get through a few other projects, then it'll be TeleTime. Probably in the spring, unless something falls in my lap.
 
	 
 
		 
 
		 
	 
	 But I really like the hard, defined Tele edge for my forearm to rest on. Normally I have my little finger at least touching the top, and of course there's palm-muting... but if you really want to let fly with the machinegun 32nds, you just close your hand into a fist with the pick pointing out and the "comfort contour" means your hand is floating from... the shoulder? Way back in the sixties those guys like Tal Farlow & Barney Kessel took advantage of the big blocky Gibson hollow body for this. And there's a reason Danny Gatton, Johnny Hiland, Brad Paisley and all them play Teles - if you try to combine fingers with a pick, your forearm is your anchor. This guy always knows where he is, even at speed he's doing interesting things.
 But I really like the hard, defined Tele edge for my forearm to rest on. Normally I have my little finger at least touching the top, and of course there's palm-muting... but if you really want to let fly with the machinegun 32nds, you just close your hand into a fist with the pick pointing out and the "comfort contour" means your hand is floating from... the shoulder? Way back in the sixties those guys like Tal Farlow & Barney Kessel took advantage of the big blocky Gibson hollow body for this. And there's a reason Danny Gatton, Johnny Hiland, Brad Paisley and all them play Teles - if you try to combine fingers with a pick, your forearm is your anchor. This guy always knows where he is, even at speed he's doing interesting things.
 
 
		 
 
		