I have never once touched a fret out of the box on a new neck!!!! Not just Warmoth products, but Mighty Mite and Eden too, they all make a great product that doesn't need phucked with to be playable!!!
Clearly, some people are willing to settle for a neck that is "playable" rather than excellent or even, dare I say, "perfect." If you've never had the pleasure of owning a neck that is properly dressed, you'll never know what you're missing... In about a dozen necks from Warmoth and USA Custom, I have never seen one that
couldn't benefit from some final fretwork!
A single, hard, even bevel is not adequate by professional standards. I don't mean you can't
play one, and I don't mean you never got paid $15 & a bowl of... ice cream

for playing a sockhop with your (unfinished) Warmoth, but if you were to hand one of those guitars to Paul Gilbert/Elic Crapton/Tony Iommi/Fill In The Blank, he'd look at you like.... "huh? Why isn't this guitar finished?" :icon_scratch:
You know the money you would waste on having someone hack up that nice new neck is about half of the price of another neck.
This is why
so many of us have bought fret-rounding files, read up on Erlewine's book, practiced on old beaters.... because we LIKE to have guitars that play better, and it
is expensive if you won't do your own. However, given this level of intransigence, perhaps the only way you will ever learn what a great guitar feels like is to spring for a level, crown & polish once, then you'll know.... except it sounds like the only people you know "hack up" their work. I personally would much rather have one perfect guitar than a whole pile of P.O.S. semi-finished ones - they're good for decor, I suppose. :toothy12: But then, I
play mine. So crappy bitey rough unfinished frets are worth learning to fix, for ME.
If all you do is hang them on the wall because you don't care what they play like, spirit-catchers & Jerry posters are a lot cheaper. :hello2: