C
Cederick
Guest
So, what woods are actually "safe" to use? As much as possible, I want my guitars to feel good. With that I don't mean playability but that the actual wood gathering/manufacturing process has been good.
I think we can say that alder, maple, ash, basswood and poplar are all "safe". I guess they are all grown within US, Canada or similar countries, and I can't imagine it doing any harm.
But mahogny, ebony, rosewood, wenge, bubinga etc etc etc. I have personally never been into those exotic looking woods (I'm a solid finish guy) but I used to be thinking it would be cool with a ebony fretboard in contrast to a alpine white body.
But maybe it's a better choice to get an all-maple neck and just dye/paint the fretboard black instead? :toothy12:
Note that I'm not a lot into the tonewood thing, if a guitar sounds good it doesn't matter if it's made of mahogny or a piece of plywood. I've had good experiences with both, and bad experiences with both. For me tone comes from scale length, action, pickup and amp. :icon_thumright:
I think we can say that alder, maple, ash, basswood and poplar are all "safe". I guess they are all grown within US, Canada or similar countries, and I can't imagine it doing any harm.
But mahogny, ebony, rosewood, wenge, bubinga etc etc etc. I have personally never been into those exotic looking woods (I'm a solid finish guy) but I used to be thinking it would be cool with a ebony fretboard in contrast to a alpine white body.
But maybe it's a better choice to get an all-maple neck and just dye/paint the fretboard black instead? :toothy12:
Note that I'm not a lot into the tonewood thing, if a guitar sounds good it doesn't matter if it's made of mahogny or a piece of plywood. I've had good experiences with both, and bad experiences with both. For me tone comes from scale length, action, pickup and amp. :icon_thumright: