Hey everybody, I've got one of the P90-equipped Fender Blacktop Jaguars and I've been slowly upgrading it over time. Right now it's stock alder body, Lollar P90s (5% overwound bridge), 500k audio taper pots, 0.022uf cap. Played through a Vox AC4TV.
I'd like to get a new neck for it so I've spent time over the past few weekends playing a variety of guitars to get an idea for what I like. For reference, my current guitar neck is 9.5" radius, medium jumbo frets, rosewood fingerboard. Here's my top three.
1: Fender 1972 reissue Thinline. U-neck, 7.25" radius, vintage frets. Felt good in my hand, comfortable and easy to play barre chords.
2: Standard Stratocaster. Modern C, 9.5" radius, medium jumbo frets. I liked the satin finish on the back of the neck. Wish the fingerboard was satin as well instead of gloss.
3: Classic Series '50s Strat. Soft V, 7.25" radius, vintage frets. Wish the neck was a little thicker, gloss finish on the fingerboard felt "draggy" when bending notes.
I've noticed with the V necks, it's a very distinct feel at the first fret. Feels like I could wrap my hand around the whole thing. I definitely prefer a satin finish over gloss because to me it feels slicker and less sticky or draggy. With the frets I'm not too particular, I just know I don't like the jumbo frets on the American Specials. String bends were a little meh with the '50s Strat, but it felt like it was because my finger was dragging on the fingerboard finish.
For frets, I think I'd like to match the Fender medium jumbo since they're working for me right now. I'm learning some George Harrison solos that feature a lot of sliding into the note or bending into it. Is that the 6105? 6130? With the neck profile, I preferred the U, so I'm leaning toward the fatback as the closest way to get that shape. I'd like to try unfinished roasted maple with a rosewood fingerboard, and the Black Tusq nut.
Am I close with those specs to what Warmoth offers? I hope the unfinished roasted maple feels closer to a satin rather than the sticky gloss finish.
And what is it with Stratocasters that make you want to buy one? I almost walked out with a Standard in white today.
I'd like to get a new neck for it so I've spent time over the past few weekends playing a variety of guitars to get an idea for what I like. For reference, my current guitar neck is 9.5" radius, medium jumbo frets, rosewood fingerboard. Here's my top three.
1: Fender 1972 reissue Thinline. U-neck, 7.25" radius, vintage frets. Felt good in my hand, comfortable and easy to play barre chords.
2: Standard Stratocaster. Modern C, 9.5" radius, medium jumbo frets. I liked the satin finish on the back of the neck. Wish the fingerboard was satin as well instead of gloss.
3: Classic Series '50s Strat. Soft V, 7.25" radius, vintage frets. Wish the neck was a little thicker, gloss finish on the fingerboard felt "draggy" when bending notes.
I've noticed with the V necks, it's a very distinct feel at the first fret. Feels like I could wrap my hand around the whole thing. I definitely prefer a satin finish over gloss because to me it feels slicker and less sticky or draggy. With the frets I'm not too particular, I just know I don't like the jumbo frets on the American Specials. String bends were a little meh with the '50s Strat, but it felt like it was because my finger was dragging on the fingerboard finish.
For frets, I think I'd like to match the Fender medium jumbo since they're working for me right now. I'm learning some George Harrison solos that feature a lot of sliding into the note or bending into it. Is that the 6105? 6130? With the neck profile, I preferred the U, so I'm leaning toward the fatback as the closest way to get that shape. I'd like to try unfinished roasted maple with a rosewood fingerboard, and the Black Tusq nut.
Am I close with those specs to what Warmoth offers? I hope the unfinished roasted maple feels closer to a satin rather than the sticky gloss finish.
And what is it with Stratocasters that make you want to buy one? I almost walked out with a Standard in white today.