I had a Travis Bean with an aluminum neck/bridge assembly in the 80's that did have some tuning problems, mostly due to stage lighting. You'd play it a while, tune it, then set it down. Then tune it, then play it, then tune it, then set it down, etc. Like the man says though, getting it to a consistent temperature is most important. I now own Gleamo, which I made from one of the 100+ aluminum bodies that Spruce Hill music made for Fender in 1993 (400 or so Strat bodies too). As long as I don't sit it in front of the air conditioner in the summer... wanna guess how I learned that? :icon_biggrin:
It's a way, way-hollow sheetmetal body, built up over a frame of welded internal aluminum beams, with the bridge hooked to the beams and a solid block at the heel.
I must say, to my way of thinking, a classic guitar is one that's stood the test of time, a vintage guitar is over 25 years old and a custom guitar is, ummm, custom, so a brand-new guitar called a "Vintage Custom Classic" made out of aluminum is nutty. I go out of my way to not spend money on products with names like that.... Change the name and I might
buy one. I don't know people in Illinois, but your best bet to sell some of these is to find a guitar star to play one, and get them into a few of the high-end stores like Dave's Guitar Shop in La Crosse WI and Willie's in St. Paul. James Trussart's sales really took off when a few big names began using them. Musicians from all over shop at Dave's, if you had a couple of guitars on the wall at that price they'd be sold in no time.
http://davesguitar.com/