Makes me wonder if the guy can even play without a B-bender... :icon_biggrin: I've been playing long enough that I can pretty much hear what and where the guy's playing the chords, if it's a regular rock "guitar song." Once a band gets bigger - like with a full-time keyboard player who also writes & arranges, or even normal old guitar bands that happen to go psycho, like the Eagles quite seriously play songs with four distinct guitar parts - live - you have to make guesses, and choices.
I'm not at all sure about the overall effect. I find most Mp3's painful to listen to, if I'm listening carefully & hard. It's O.K. for just a quick bibbett on YouTube, but THE SOUND OF MUSIC overall these days is horrible, and the computer's largely to blame for that. By now, there are a whole LOT of people who think that the way Takamine & Ovation guitars sound on stage is the way that acoustic guitars are supposed to sound, they think that godawful fizzy sound is a... GOOD sound?!?! Dave Matthews.... There is something fundamentally wrong with ceramic saddles as the sole source of production.
And my TV's been in the closet going on six years now, but I remember trying to listen to American Idol around 2005, 2006. Between the FOX network's stepping on the signal, and our local distributor (Sinclair) stepping it down some more - trying to send the music with as few bits as possible - it all sounded like crap. All the guitars sounded like fuzztones - and so did all the singers.
My guitar students tend to treat their song "collections" from a sort of greed-based hoarding state of mine - on their iPods they're all like "I got that song!" "Oh yeah, well I got THAT song too!" But they can't hardly listen to an entire four minute song... I finally train them NOT to show me the online "tutorials" that are just a sales pitch, or these bizarre "scale finders" and "chord finders." Yes - you can "find" any scale in any key.
"Hey, here's the double harmonic minor scale!"
"How about in F#..."
"Yes! Here it is, right there!"
"But WHERE is it..."
"Right there! Right there on the screen!"
"But where IS it?"
I have this old-fashioned notion that "knowing" a song or technique means you can PLAY it on your guitar....
And another hangup of mine, if the tone you use to play one note is a hideous scoop-fuzzed earwreck - playing a bunch of notes isn't an improvement. Maybe I am getting old, because it seems like the one wish I have for so many new musicians is: SLOW DOWN.