Jumble Jumble
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Oh yeah, I love choosing my own pedals and getting the exact sounds I want. But I also love the convenience of being able to hit one footswitch and toggle three or four effects in one go. This is my constant struggle. For a simple digital delay, of course a multi-fx box is going to do what I want (and probably way more). But for overdrive and distortion they're often one-trick ponies (it's up to you if you like that trick), and for modulation, it's hit and miss as to whether you'll get what you want.
Of course, were I a millionaire, I would simply get some kind of MIDI setup. Store the patches, then when you switch to one, it simply loops in whichever pedals should be used on that patch. Gilmour had a great one on the 1994 Pulse tour. All these knackered-looking old modded pedals on top of his rack, and a nice big MIDI footswitch controller thingy with the name of the song etc on it on the floor in front of him.
As for expensive modelers falling short - like I say, I'll do some clips. I have a friend who has a little studio with several nice amps (and some very nice ones) and decent mics, and I can probably get my hands on a Kemper. It won't be for a month or so though.
Of course, were I a millionaire, I would simply get some kind of MIDI setup. Store the patches, then when you switch to one, it simply loops in whichever pedals should be used on that patch. Gilmour had a great one on the 1994 Pulse tour. All these knackered-looking old modded pedals on top of his rack, and a nice big MIDI footswitch controller thingy with the name of the song etc on it on the floor in front of him.
As for expensive modelers falling short - like I say, I'll do some clips. I have a friend who has a little studio with several nice amps (and some very nice ones) and decent mics, and I can probably get my hands on a Kemper. It won't be for a month or so though.