Hbom said:
I think it was in the fall of 8 or 9, when the US economy was really starting to tank,
Gibson took 25% across the board price hikes. Fender followed them immediately.
It's one of the major reasons I will never buy a new F or G again.
That's hardly something you can hold against them. As I said before, you can thank the crippled economy for that. Both companies have been doing much worse these last few years and if they (or rather, the shops; Fender don't set their prices, their distributors do) still had their guitars at their old prices, there's a good chance they'd be in serious trouble by now. When economies go to hell, luxury brands like this have to either hike prices and hope their profits stabilise or they can go down with the ship.
Street Avenger said:
I don't care what anyone says; Gibsons are OVER-PRICED...period.
They really aren't, for the reasons I mentioned earlier. Their price is reflected in the techniques and materials they use, and they're not a company that rips off their employees. They have some of the best, most experienced builders in the world and a lot of what you're paying is for their experience and craftsmanship, at least in terms of the Custom Shop guitars. If you want them priced more ''fairly'', convince American workers to work for Chinese-level wages.
I'll also say that of the hundreds of Gibsons I've played, only a small minority have really had actual, objective flaws (of particular note are the Axcess guitars - of the three I've tried, all of them had the Floyd installed very poorly). The vast majority of the ''bad'' ones were simply set up poorly, or at their core simply weren't a fitting spec for me. But when you find the one that's right for you, absolutely nothing will beat it. And I do mean nothing. I say that as someone who handles real 50s and 60s guitars on a daily basis, who has handled fifteen-grand PRS guitars and one-off Mayones instruments and some of the crazy things the ESP Custom Shop puts out. I wouldn't trust the Gibson Custom Shop to make a great Telecaster or a good banjo or a super-Strat of course, but when it comes to Les Pauls, SGs, Explorers and the like, they are absolutely unbeatable, at least in terms of objective quality even if the spec doesn't suit you.
Of course, you may have to play twenty (or in my case, fifty) before you find one that fits you right, but when you do it's really something quite special.
If I'm honest, it really shocks and saddens me how entitled and unrealistically demanding so many guitar players are. Everything has to be perfect, everything has to be custom, everything must be made with the latest cutting-edge techniques but also pure vintage, everything has to be made in America and everything has to cost pocket money. You want stuff to be affordable? Buy mass-produced Chinese stuff. Want everything to be perfect? You gotta pay a premium for a top luthier to make it by hand. Think a great guitar costs too much? Take a look at how much a really nice piano costs, or the inflated costs of sports cars. I wish we lived in a world where everyone could have a 1-piece body and AAAAA flame maple and handwound pickups for £200 hardcase included. I wish we lived in a world where I could buy an Aston Martin DB9 after an honest days' work. I wish we lived in a world where Kate Beckinsale kept my bed warm.
Sadly, the world we live in isn't that comfortable. Guitars like MIA Fenders and Gibsons are a luxury. They're going to cost a lot more than lower-quality equivalents and you can't expect them to become casually affordable in the middle of a recession. Don't complain about how ''expensive'' Gibsons and Fenders are, just marvel at how cheap Warmoth are, how cheap Korean and Chinese and Indonesian production is and how much those guys are improving. It's not that one group is ripping you off, it's that the other is a ridiculous bargain.
Cagey said:
Street Avenger said:
I don't care what anyone says; Gibsons are OVER-PRICED...period.
Dramatically so. Cover up the headstocks and set any Gibson Les Paul next to anything from Korea, and you'd pick the Korean fiddle first without even knowing the price. Then you find out they're not just less expensive, it's by
an order of magnitude. I mean, it's not even funny. I understand they work for a less money over there, but come on!
As someone who can swivel his chair around right now and pick up both a Gibson and a MIK Epiphone, as well as several other MIK guitars, I can safely say no. Absolutely not. I'm happy with my MIK guitars - I wouldn't have six of them and a seventh on order if I wasn't - but they struggle to stack up to MIJs and low-level production MIAs, let alone the mid-range MIAs (and they don't hold a candle to the high-end MIAs).