rightintheface
Senior Member
- Messages
- 326
wow, i only confirmed my custom order last tuesday and it's already here, IN AUSTRALIA, IN MY ARMS!!! WOOOOO!!! :hello2: :hello2: :hello2: :hello2: :hello2: :hello2:
i'm excited!!! maybe they had an unrouted alder/alder thinline that they just routed to my specs :dontknow:
heres the specs:
thinline alder/alder body
contoured heel
TOM/stop
double f-holes (i was reading the section on drilling pot holes in a double f-hole guitar when the courier turned up. eerie..)
H-X-H route (got uncovered JB and 59 ready. might change them out later for p-rails if anyone has a good review? read bits n pieces of good stuff)
wiring: i will drill a 3-way switch just below the bridge, killswitch, and probably just two volumes to keep the wiring short. possibly push-pull pots if i add p-rails later.
already bought a neck off showcase and it should be here soon-ish: standard thin, unfinished rosewood/macassar ebony pro-const., block inlays, warmoth headstock, 6130 frets (6150SS were a tad too big on my first build), graphtec nut, grover/gotoh tuners. 'twill be interesting to see the difference to my wenge/ebony boatneck on my other build
here's where i need some advice...: i LOVE the colour of the alder itself, it's nice and creamy (see bottom section on binding). HOWEVER, i am already set in painting it (myself) matte black, with white or natural binding.
first question: should i grain fill? the grain is very VERY tight on this alder, and too be honest i like a bit of grain showing through. my b.korina tele has a danish oil finish that shows the grain, and i like it alot. my only concern is; would it make the finish uneven in places? would it look sh*te? i liked those unfilled black bodies that came out of warmoth ages ago. i think they were swamp ash though... :icon_scratch:
second question (opinions more like): i'm painting binding onto this build (traditionalists beware); i didn't have the money to get "proper" binding, plus warmoth doesn't do binding on f-holes, which i LOVE! i am tossing up between white binding or natural-alder binding.. anybody got an opinion? i reckon it'd look kinda cool with alder binding and then a satin acrylic spray to protect. BUT, i WAS going to spray/bind the neck's pegface (not the neck-back, don't panic!!) with the same matte black/binding. alder tone would be a little hard to match up. really, white is easier, but natural might be a bit more... different? any opinions?
oh yeah, i should mention i'm pretty competent with painting/working on guitars, so i'm fairly confident with masking off/binding etc etc. i know that "painted" binding will upset people, but i really didn't have the funds...
and i should mention it'll be chrome hardware (possibly using some hardware that i "aged" with sandpaper to look nice and filthy). :cool01:
arty07:
either way, i'm EXCITED!! any opinions are welcome. bear in mind this was planned with practicality and stage-worthiness in mind: no single coils (phat cat on other build can get a little to buzzy), i'm used to TOMs, limited controls, solid painted colour (harder finish) etc etc etc
i'm excited!!! maybe they had an unrouted alder/alder thinline that they just routed to my specs :dontknow:
heres the specs:
thinline alder/alder body
contoured heel
TOM/stop
double f-holes (i was reading the section on drilling pot holes in a double f-hole guitar when the courier turned up. eerie..)
H-X-H route (got uncovered JB and 59 ready. might change them out later for p-rails if anyone has a good review? read bits n pieces of good stuff)
wiring: i will drill a 3-way switch just below the bridge, killswitch, and probably just two volumes to keep the wiring short. possibly push-pull pots if i add p-rails later.
already bought a neck off showcase and it should be here soon-ish: standard thin, unfinished rosewood/macassar ebony pro-const., block inlays, warmoth headstock, 6130 frets (6150SS were a tad too big on my first build), graphtec nut, grover/gotoh tuners. 'twill be interesting to see the difference to my wenge/ebony boatneck on my other build
here's where i need some advice...: i LOVE the colour of the alder itself, it's nice and creamy (see bottom section on binding). HOWEVER, i am already set in painting it (myself) matte black, with white or natural binding.
first question: should i grain fill? the grain is very VERY tight on this alder, and too be honest i like a bit of grain showing through. my b.korina tele has a danish oil finish that shows the grain, and i like it alot. my only concern is; would it make the finish uneven in places? would it look sh*te? i liked those unfilled black bodies that came out of warmoth ages ago. i think they were swamp ash though... :icon_scratch:
second question (opinions more like): i'm painting binding onto this build (traditionalists beware); i didn't have the money to get "proper" binding, plus warmoth doesn't do binding on f-holes, which i LOVE! i am tossing up between white binding or natural-alder binding.. anybody got an opinion? i reckon it'd look kinda cool with alder binding and then a satin acrylic spray to protect. BUT, i WAS going to spray/bind the neck's pegface (not the neck-back, don't panic!!) with the same matte black/binding. alder tone would be a little hard to match up. really, white is easier, but natural might be a bit more... different? any opinions?
oh yeah, i should mention i'm pretty competent with painting/working on guitars, so i'm fairly confident with masking off/binding etc etc. i know that "painted" binding will upset people, but i really didn't have the funds...
and i should mention it'll be chrome hardware (possibly using some hardware that i "aged" with sandpaper to look nice and filthy). :cool01:

either way, i'm EXCITED!! any opinions are welcome. bear in mind this was planned with practicality and stage-worthiness in mind: no single coils (phat cat on other build can get a little to buzzy), i'm used to TOMs, limited controls, solid painted colour (harder finish) etc etc etc