S
swarfrat
Guest
Anyone work extensively with horns & brass? For years, I've had this idea in my head, of wanting to do hard rock with an iintegral horn section. Not horn hits on a keyboard, not post production afterthoughts. Not hired guns, part of the band. I mean like take AC/DC and Def Leppard, replace the 2nd guitar player with brass, put them in a warehouse practice space for 6 months, and then form a band with the ones that didn't kill each other. I've heard a few bands do something oh kinda sorta maybe like it. But they're mostly more like Blood Sweat & Tears with more distortion. I want spit in your face, kick you in the gut punch. . I've got some ideas about it, but it's kinda crazy, and I have zero experience with brass. So if anyone has any relevant experience or opinions, please chime in
A couple thoughts so far:
I think in the interest of 1) finding players willing to buy into such an idea, 2) preserving the punch and crispness that comes with a stripped down rhythm section that knows that the space left over rocks just as hard as what you fill up. 3) having some hope of not having to chart out every last detail it needs to be small. Big enough to sound like a a section. Small enough to preserve impact. I think that number might be three (especially when you consider points 1 and 3)
I want punch. I love sax, it's a beautiful rich buttery instrument. But I kinda think it'll just blunt the attack I'm looking for. I'm kinda thinking 2 trombones and a trumpet + 3 piece rhythm section.
As I said - I'm no brass player. I'm a guitar player. How in the heck do you ever get started finding your first guy that knows what he's doing well enough to find the rest? I know lots of decent guitar players. I know of virtually no decent brass players that played for their own personal interest after graduating from college.
So let's hear it. Do you double on a wind instrument? Work with them? Like them? Think this is crazy? I realize that Warmoth is probably not the best place to discuss this, but hey it's OT, and I'm particularly interested in guitar & bass players opinions on these things. Plus, I pretty much only do one or two forums at a time. So sue me, ban me from OT, whatever. It's no more OT than mixed drinks
A couple thoughts so far:
I think in the interest of 1) finding players willing to buy into such an idea, 2) preserving the punch and crispness that comes with a stripped down rhythm section that knows that the space left over rocks just as hard as what you fill up. 3) having some hope of not having to chart out every last detail it needs to be small. Big enough to sound like a a section. Small enough to preserve impact. I think that number might be three (especially when you consider points 1 and 3)
I want punch. I love sax, it's a beautiful rich buttery instrument. But I kinda think it'll just blunt the attack I'm looking for. I'm kinda thinking 2 trombones and a trumpet + 3 piece rhythm section.
As I said - I'm no brass player. I'm a guitar player. How in the heck do you ever get started finding your first guy that knows what he's doing well enough to find the rest? I know lots of decent guitar players. I know of virtually no decent brass players that played for their own personal interest after graduating from college.
So let's hear it. Do you double on a wind instrument? Work with them? Like them? Think this is crazy? I realize that Warmoth is probably not the best place to discuss this, but hey it's OT, and I'm particularly interested in guitar & bass players opinions on these things. Plus, I pretty much only do one or two forums at a time. So sue me, ban me from OT, whatever. It's no more OT than mixed drinks