Hitting the limits of my Tonelab

[mayfly]

Mayfly, thank you so much for posting your in depth review.  :icon_thumright:

You are quite welcome.  If you have any questions, please let me know.
I've found putting my guitar in my vocal wedge makes it difficult to hear vocals or guitar distinctly. Think I'm going to buy a Mackie Thump powered monitor and run that separately for guitar and see what happens.

In all seriousness, that's interesting.  I've never had a problem with vocals and the guitar in the same wedge.  I've been doing the no-amp thing for a few years now and I haven't had that issue.

Just wait - next gig I'll have a problem with it for sure.  :doh:

 

[simple]

Mayfly, thank you so much for posting your in depth review.  :icon_thumright:

You are quite welcome.  If you have any questions, please let me know.

Will do. For now though, you have confirmed my fears of the unit being too labor intensive for me. That's a good thing because it costs a lot too.  :laughing7:  I'll keep experiment with my Digitech GSP1101 modelers for now. I would like to hear what you end up using on stage live to play through. I've found putting my guitar in my vocal wedge makes it difficult to hear vocals or guitar distinctly. Think I'm going to buy a Mackie Thump powered monitor and run that separately for guitar and see what happens.

Buddy!  You're killing me!  You can figure it out - don't worry. I can help you through it.  It's really not that big a deal.  And it sounds like an Orgasm of the Ears.

just call me Satan  :evil4:

:laughing7:

 

[TBurst Std]

Glad you like it mayfly. Like I had mentioned, the initial learning curve is high. Thing is, once you get through it, it comes much easier (even with the deep editing). I bet if you were to work up a new, different style amp block, getting to the tone you want would only take 1/4 of the time.
Right now I am playing around with only using the early reflections of a reverb block with a low and high pass cut slightly driven by tape OD. Got the clue from Scott P.