There's a lot to be said for the
efficiency that somebody who does a lot of this work can achieve. For example, there is simply no substitute for slow, careful, one-end-at-a-time fretwork, except maybe now the Plek. But it's actually a bit weird to do a total leveling on a brand new neck, it's best to let it settle through a season change if you can. If you Plek'd a guitar after a few years that had been Plek'd new, it would find some things to do - so it's a little bit redundant. Now, I will do all my own fretwork the slow old-fashioned way because I hate to pay anyone to do what I can do as well, but there's no way in a small town I could charge enough to kick my pay above $15 an hour or so. And I'd rather play than work... :toothy12: The premier guys in New York, Nashville, LA are getting up to $350 for their best level, crown and polish - the stuff that Paul Gilbert and John McLaughlin and Brad Paisley and John Petrucci get.
My point is, somebody with all the right tools and workroom can do a really good job for you, and I have paid for instruments like my electric mandolin that I probably could have built, but I just didn't have the time right then. It's ideal in the long run to know everything - I still think Warmoth ought to
require each newbie to purchase Dan Erlewine's "Guitar Player Repair Guide", just to avoid those Ebay tragedies - but if you really don't have time to learn just yet and you want a perfect guitar, the good ones are out there. (So are the bad ones, alas....
)
The knowledge of how to make and set up a great guitar is now pretty widespread, so it's just a matter of details... kinda like making pickups, the information about how to make a great humbucking pickup and a great single coil has been around for a few
decades now, there have got to be at least thirty people/companies who are making better and more consistent pickups than the very best of Gibson and Fender's "golden years"
<-(BLASPHEMER!!!!) :evil4: - just don't tell George Gruhn that!