I was curious how the whole semi-hollow/F-hole thing affected the tone; thanks for spelling it out. I imagined that it would be cool. -Given that you have frets & round-wound strings, the spaces inside the ash/maple body seem like they'd even out that inherant brilliance. -The perfect balance! I recently built a chambered Jazz, but with having flat-wounds on fretless, it is right on the edge of dark. The 'board being ebony is prob'ly the only thing keeping it out of the ditch...
Anyway, back to your latest creation. Very cool. -Me jelly!