SaxyCalzone
New member
- Messages
- 2
Hi everyone! I've had a Soloist build planned for a while now, and I keep waffling back and forth on what options I want, figure I'd ask the fine people here.
I'd really love to do a purple to clear burst Soloist. I tried to do a mockup of what I have planned, I'll attach that as well. My quandary comes from deciding what exclusive options I want, as I can't make it exactly how I'd like it due to certain limitations at Warmoth.
Carved top or flat top? What makes me want a carved top Soloist is that I always wanted a Charvel 750XL. I'm not sure what binding color would look good with the purple to clear burst. If I got a flat top, however, that enables me to get the masked edge line, which looks gorgeous. I'm leaning towards carved top, once I can decide what binding to get.
24 frets or 22? Building a superstrat, it seems like a no-brainer that I'd get a 24 fret neck, but if I have to get binding on the body, I'd like the neck to match, which I can only do on a 22 fret neck. Plus, I'm doing ebony, and there's something about a bound ebony fretboard that just pops. On the other hand, how much will I use the extra two frets?
Purpleheart or another wood finished in transparent purple? I like the purpleheart. It's different, and Warmoth said they could apply a gloss finish even though purpleheart can be played raw. I could do this, or I could do pretty much any wood and have them shoot it in transparent purple. Might lean towards the latter, just to have it match the back of the body more closely.
What do you all think? I'm welcome to ideas, even if they don't align with what I've said here. I'm no master designer!
I'd really love to do a purple to clear burst Soloist. I tried to do a mockup of what I have planned, I'll attach that as well. My quandary comes from deciding what exclusive options I want, as I can't make it exactly how I'd like it due to certain limitations at Warmoth.
Carved top or flat top? What makes me want a carved top Soloist is that I always wanted a Charvel 750XL. I'm not sure what binding color would look good with the purple to clear burst. If I got a flat top, however, that enables me to get the masked edge line, which looks gorgeous. I'm leaning towards carved top, once I can decide what binding to get.
24 frets or 22? Building a superstrat, it seems like a no-brainer that I'd get a 24 fret neck, but if I have to get binding on the body, I'd like the neck to match, which I can only do on a 22 fret neck. Plus, I'm doing ebony, and there's something about a bound ebony fretboard that just pops. On the other hand, how much will I use the extra two frets?
Purpleheart or another wood finished in transparent purple? I like the purpleheart. It's different, and Warmoth said they could apply a gloss finish even though purpleheart can be played raw. I could do this, or I could do pretty much any wood and have them shoot it in transparent purple. Might lean towards the latter, just to have it match the back of the body more closely.
What do you all think? I'm welcome to ideas, even if they don't align with what I've said here. I'm no master designer!