Recent content by LewisCountyLad

Yup, good for any 3-pup guitar. One of my earliest Warmoth strat builds (right after the brothers and Sr. left Boogie Bodies) used this switching instead of the standard 5-way. Having the two extra sounds available on a strat is cool: bridge+neck (tele-ish) and all-3-on.

kkaarrll, I'll draw a picture. Give me a little time.

The "North Start" is always going to the be the hot out of each pup, right? Why couldn't you just place the vol & tone pots in line (red arrows) before the mega-switch on the diagram? And then just eliminate the vol & tone pots from old diagram and go straight to the jack? I haven't tried...

The "bridge" I was talking about had to do with goods and services between Warmoth & Gibson on a commercial level; not in the public eye. The moral here is that Henry and his cronies are P'sOS.

Here's my little herd. Interesting story behind each one.

It's a shame about the Gibson-esque parts being pulled from the line. That was a complete idiot-move on Henry's/Ric Olsen's part. That bridge is now burned forever.

I love the pup combinations on this bass. My fave setting is P + J-neck. Just sounds huge and clear.

Thanks for the kudos, guys. I think it's safe to say that I dig Warmoth stuff...

The rear 3-way selects the J pup (up-neck/middle-both/down-bridge) and it's output feeds the front 3-way (up-P/middle-P+ rear 3-way/down-rear 3-way). Then the signal feeds the stacked master vol/tone. Also, the bass is tuned B-E-A-D. I built her mainly for recording.

Been lurking for a while and decided to join up. Here's my entry... 2-piece walnut body, rosewood neck, DiMarzio pups, Gotoh hardware, Dave Johnson finish