deejaysham
Newbie
- Messages
- 22
In my current Warmoth build I've thought a lot and read a lot about the Fender decal debate. And I think every side has valid points and ultimately I think as long as you're not trying to pass off a fake on the market, it's nobody's business what someone does in their own build. But in considering my own decision for my Jazz Bass build, some points that resonated with me have led me to decide to put a modified decal on. The points that ultimately tipped me towards using the decal:
1.) Bill Nash's philosophical essay that points out that everyone, even Fender themselves are making Leo Fender clones.
2.) My strong feeling that the logo on the headstock is part of the aesthetic of the instrument as much as clover tuners, thumb rest, and a metal control plate.
But I'm also proud of my build's Warmoth construction and there are things, like the chambered and short scale body that I'm using which are unique and stand apart from Leo Fender's contribution. So I played around in Adobe Illustrator to create a modified decal design which represents both, honoring Leo's design but giving the Warmoth parts their due representation. I patterned the design after the mid-60s jazz bass headstocks. I have seen someone else do a 50s spaghetti Warmoth logo but not the thicker 60s yet. I'll probably play around with applying this to some wood blanks to see how it goes.
1.) Bill Nash's philosophical essay that points out that everyone, even Fender themselves are making Leo Fender clones.
2.) My strong feeling that the logo on the headstock is part of the aesthetic of the instrument as much as clover tuners, thumb rest, and a metal control plate.
But I'm also proud of my build's Warmoth construction and there are things, like the chambered and short scale body that I'm using which are unique and stand apart from Leo Fender's contribution. So I played around in Adobe Illustrator to create a modified decal design which represents both, honoring Leo's design but giving the Warmoth parts their due representation. I patterned the design after the mid-60s jazz bass headstocks. I have seen someone else do a 50s spaghetti Warmoth logo but not the thicker 60s yet. I'll probably play around with applying this to some wood blanks to see how it goes.