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Warmoth Jam Ten

GoDrex

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**** download files****

Main part with intro count

Loopable file

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Ok this time around I wanted to try an something a little different and also do a kind of experiment - just to see what happens. Will it sound cool or be a train wreck? Only one way to find out. :laughing7:

Usually in these jams you're a bit restrained by the harmony of the chords used in the backing track. I wanted to break free of that just for the hell of it and let everyone chose what scale or harmonic climate they'd like to solo in - within some constraints.



This backing has no chords - only two notes (F# and E). So basically, for this experiment, you're free to use any scale you want that has those notes in it:

E major scale

G major scale (might not sound good due to the F# being a diminished chord, but you're free to go for it)

A major scale (this has the same notes as F# minor)

B Major scale

D Major scale (or D major with a #5th - - like a B harmonic minor)


you can try some pentatonic scales or blues scales -  or go nuts and play chromatically or use the whole tone scales

or go here and put in your own F# and E chords and try out some exotic scale:

http://www.all-guitar-chords.com/chords-to-scale.php

Another idea is to use a different scale over each backing track note. That could potentially add some scale(s) I haven't mentioned.

It's up to you if you want to be really melodic or just go nuts with something really out there.



But to make this work we'll have to post what we're going to do before putting up our tracks. So read the thread and pick something different from the person before you.

I think not many people will get involved, so if you want to, record two tracks and make them different from each other and make at least one of them different from the people that have posted before you.

I hope this is clear. :laughing7:

I figured I'd post this a little early so people can read it and ask questions if they don't understand what I'm getting at - and to maybe mess around with some scales or whatever before hand.

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Main part with intro count

Loopable file

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Jam ends December 14th
 
I have to listen to the track itself before I commit to anything, but most likely an octotonic scale will be used (I've seen it called a parallell scale too). But I like the idea of going chromatically nuts :headbang:
 
kboman said:
I have to listen to the track itself before I commit to anything, but most likely an octotonic scale will be used (I've seen it called a parallell scale too). But I like the idea of going chromatically nuts :headbang:

Well it depends on if you can pull it off or not. I've done some stuff using the whole tone scale and to me it sounds cool, but to others it's  :icon_scratch:
 
I don't really know what scales I will be using until I start soloing over the track, & even then, I never use just one scale. It's always several scales with passing notes thrown in.

Unfortunately, it would be impossible for me to say what I will do, before I actually do it...so I will say that I'll be using the chromatic scale for my solo.

Great backing track, btw. Whatever I do, I'm going to make sure it's atonal & HEAVY!!!!!!!  :headbang1:
 
OK well here's another way for people to think about it: Pretend that the F# and E notes are actually chords. Like say they are both major chords. Or both minor chords? Or F# minor and E major? Then what would you play?
 
I'm going to do two solos.

The first one is based on the B major scale.

The second one I'll decide on after some more people do some. :toothy10:


http://www.wfzr.net/warmoth/GoDrex_mix-UWJ10.mp3 - - mix

http://www.wfzr.net/warmoth/GoDrex_solo-UWJ10.mp3 - - solo
 
cool. IDK if I will get in on this one or not . . . Finals week next week  :sad1:
 
sweet :icon_thumright: - A major - in this case = F# Minor  :headbang:

I'd say do one more solo if you want to. I think 2 max per person is good.
 
I probably won't have time to record anything until wednesday next week, but I'm definitely in on this. Still haven't had time to even listen to the backing track  :-\
 
Well I'll be honest, I don't know much about music theory and such (being a self taught player by ear) so I just kinda went a bit nuts (again). Got fed up of the GNX4 this time, so went with Waves GTR instead, got quite a full out spank strat tone which I'm liking, it's mainly thanks to EXG circuit in the EMG setup that gives it such a spank.

Full Mix
http://www.educrate.co.uk/dump/W10FullMix1.mp3

Me Only
http://www.educrate.co.uk/dump/W10MeOnly1.mp3

I'm happy to do another one if you want me to.  :toothy10:
 
Panthur, that solos rocked!!!! Great tone as well. I'm going to look into the EXG pot now for my EMGs.  :headbang:
 
This is shaping up to be EPIC!  I'm loving it. :icon_thumright:

Panthur - like I wrote I think everyone should do 2 solos if they're into it, but try to make them different from each other in some way.
 
Doughboy said:
Panthur, that solos rocked!!!! Great tone as well. I'm going to look into the EXG pot now for my EMGs.  :headbang:
Thanks  :icon_smile:
I've got the EMG DG-20 set in my strat. I can understand why some people don't like EMG pickups, because if I didn't have the EXG and SPC controls in there I don't think I'd be too keen either, they make the world of difference.
 
djf67 said:
If anyone else has been working on this scale they can have my place - don't want to appear greedy!

sweet - - that's not one that I considered or was aware of.  :icon_thumright:

I wouldn't worry about anyone else using that one - but if they wanted to it's no problem.
 
I did another one. This one is definitely more 'out there'. No idea what I'm playing, so I'll play it safe and say it's chromatic (although it's really more of a mashup/sonic experimentation thing).

Cover your ears !.

Full Mix
http://www.educrate.co.uk/dump/W10FullMix2.mp3

Only Me
http://www.educrate.co.uk/dump/W10MeOnly2.mp3

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