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Warmoth in Hong Kong: A Pair of Pauls

whitebison66

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My friend Howie and a friend of his both ordered Les Pauls during the Sale. Last weekend they brought them over for me to assemble. We stayed up all night, talking about guitars and putting them together.

They had mis-ordered some parts, but my own spare parts drawers and a trip to the music store earlier in the day made them workable. I had to ream the tuner holes, and I'm not proud of the method, but it worked and was clean.

I didn't get too many pictures, since I was busy, but here's a few.

Howie: Dragonburst Korina/Korina with Warmoth neck, mahogany and rosewood (I think), abalone inlays. Duncan Invaders (he wanted a loud guitar, he said).
Gilbert: Flame Maple Mahogany Tiger eye, all rosewood LP neck w/binding, SD JB and 59.

I assembled these and let them settle in for a few days, so I got to play them both, and wow. Warmoth's finishes are second to none, and these sound as much like Les Pauls as a lot of Les Pauls I've played. The contoured heel makes them a pleasure to play up high. I think I may have a W LP in my future...

I'll have another 'Warmoth in Hong Kong' story soon...
 
Both builds are VERY nice, and are sure to kick tail sonically & aesthetically!  The tiger-eye Paul (IMO) is just purrrfect  :glasses10:
 
SlingBass said:
Both builds are VERY nice, and are sure to kick tail sonically & aesthetically!  The tiger-eye Paul (IMO) is just purrrfect  :glasses10:
:icon_thumright:
 
love that dragon burst! your friend should be glad i didn't see it first, or he may have ended up with my telecaster deluxe and i would have ended up with that les paul instead  :icon_biggrin:  gotta love the sale builds on this forum! nice guitars! have a picture of the dragon burst completed?
 
I actually remember those bodies from the showcase, very good looking.
 
My friend Eugene Pao have been contemplating a Warmoth a few years ago but never got around actually ordering one.  It is good to see Warmoth hitting the shores of Hong Kong considering good production guitars are priced reasonably there.
 
I've met Eugene a few times and worked with him in some projects he does with Jun Kung.

He just bought a new Les Paul from Guitar Sofa. I saw it last weekend at the Eugene and the Pows soundcheck @ the Fringe Club.

Friends don't let friends buy Gibson. But he's pretty serious about tone, so I guess its worth it to him.

 
Howie's Korina/mahogany/ebony Les Paul and my Alder/Wenge/Wenge strat in action:

[youtube=425,350]http://www.youtube.com/watch?v=PD5y50A3THo [/youtube]

In the interview Howie's saying it's a new custom guitar from an American company, it looks great and sounds great, and he's bringing it to Taiwan to record the new album.

The song is about 20 years of growing up with/listening to the radio, or something to that effect.
 
I'd sure love to hear the story of why your in hong kong playen in a band

The guitars look awesome, I agree with Hannah about the korina one
 
Sorry for the late reply; end of term is always Typhoon Suck.

I came here in 2005 to teach at a university. There's not much of a rock scene here, and its really easy to meet 'celebrities' in Hong Kong. I had seen a Dear Jane video, 男兒當打交 (Boys Should Fight)

[youtube=425,350]http://www.youtube.com/watch?v=wsWE1Tqo2Ic  [/youtube]

I really liked it, especially since there's nothing like it in Hong Kong's mainstream music scene.

At one of their shows that fall, I introduced myself. Turns out that two of them had grown up in Canada and one in the US, so that explained wehy the music seemed so familiar.

I hung out with them and worked on their guitars over the years. In 2009, Adam (guitar) left the band, so Howie switched back to guitar from bass and they got an extra guitarist and bass player for live purposes. The original live guitarist didn't work out, so they asked me.

Howie had played bass with me in a project I did that stalled, and the guys said they wanted someone whose sense of humor would fit in. I understand that completely, because that kind of, well, musician humor is rare here.

They made it clear to me that I was just a live musician, not a band member (apparently my predecessor struggled with that one). I understand it completely, since I really don't fit the band image.

I play gigs, period. But I'm also very grateful for that!

The record industry here is brutal. They are your label, your manager, your booking agent, your merch company and your promotions people. That doesn't mean they do all of it, just that you're not allowed/expected/encouraged to do any of it yourself. Or pay/allow anyone else to do it. I told the band that the HK music industry is like prison: whoever isn't trying to kill you is trying to f@#$ you.

The live music scene here is a real struggle, because 99% of it is Cantopop (imagine Celine Dion in Cantonese). Showcase gigs and stadium stands are the norm. Add to that the popularity of karaoke and local people rarely see live bands.

The best musicians in town are the guys who play in the (popular with expats and Chinese people who lived overseas) bars 6 hours a night. They're mostly from the Phillipines and have been playing here for decades (vestiges of Hong Kong being an R&R option during Vietnam). I got an SMS from a guitarist friend one night that said "I'm watching a guy play Jimi Hendrix flawlessly. With his feet. I quit." I'm not ncturnal enough, but the 3-6AM jams are the stuff of legend, and I believe it.

There are bands here, but only one ever got huge; Beyond was popular in the 80s but the singer died and the rest of them went solo (barring the biannual reunion shows). The rest are essentially marginalized, and gigs are (relatively) sparse.

As a consequence, the level of musicianship is not what you'd expect in a city of 6 million people. But I think part of that comes from the lack of opportunity and the competitiveness it breeds: in America, if you suck, you don't get gigs.

If there's so few gigs that people have to scrounge for bands, well...

In America/Canada/UK etc., when you get a gig, you want to blow the other bands off stage. And if you do, they go home and practice harder and get better. So that next time you have to watch out. Everyone benefits and the music gets better.

Live playing is a forge for better musicianship, and there's not much of it here. Add to that the idea that most people don't even own amps; clubs/venues rent them. So people don't get much control over their sound (or care much about it). Then you get soundmen with Nashville Disorder: the vocals are the loudest thing by far, and that's just not how rock is supposed to sound.

But there are good local bands: Hardpack, Shepherds the Weak, Qiu Hong, and some others. Unfortunately for them, they don't get on the radio, and there's almost no such thing as an opening act.

You get 'Band Shows,' where 5 or 6 bands play 5 song sets. Because people won't buy enough tickets for one band. Which perpetuates the cycle.

Although lately, 'band sound' and rock in general are making some inroads to the mainstream.

Keep your fingers crossed.
 
Cool! Of course, I couldn't understand what was being said during that intro interview, but they sure seemed impressed by that les paul!
 
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