Cagey said:
because you can't build a solid body, play it, then hollow it out and play it again. Then, trying to compare two different bodies, one hollow and one not, doesn't work because the wood itself isn't the same.
True enough... And I 100% agree with the rest of what you say, but to be a total jerk :icon_jokercolor: and pure devils advocate, it wouldnt be impossible to compare. (otherwise we'd have no approved medications and medicine would never move forward.)
If you could reliably and quantitatively (and even the quantitative part isn't necessary) measure tonal differences between 2 guitars (mids, growls, punch and all that) and decided what a significant difference was (i.e. Most professional musicians can discriminate or sthing like that) and then controlled for every other variable you could (same guitarist, same neck, same body wood, same patch cord, same amp, same pickup and electronics, same room), given enough guitar bodies in the hollow and the solid pile, and that none of the people involved can tell the difference between the two types (blinded, by painting the bodies for example), you could determine if there's a significant difference between the two groups by mathematical analysis. Prohibitive though, given the cost benefit ratio: much cost, little practical benefit.
I think you've written before about the absurdity of the 1000000 questions related to the effect of this or that on the tone of a guitar. What about the guitar strap? How much rubber is preventing my body from being fully grounded? Zinc or stainless screws? Slotted or Phillips?
Part of the magic for me is that you can't control for every variable. It's like finding out the sex of your baby at delivery. It's a surprise! Just means you build it the best you can, pick parts that appeal to you for whatever reason (look, sound, weight) and enjoy the PROCESS. and the bonus is that you usually get a decent instrument out of it.
And if you need a hollow tele, just add it as a line on the "do you have enough guitars" table. :icon_biggrin: