Take a look at the Mudwog Weap Tele vs the LP BFG (Blue Flame Geetar)
Was doing some tone comparisons - the Tele is just a tad brighter, but then, its got new strings, while the BFG has strings a bit older. Essentially, very very close. Both have non-maple necks - Goncalo vs Mahogany. Both have medium size frets. Both have essentially the same pickups although the Mudwog Weap Tele has a hotter wound neck pickup. The BFG has a BB#3 while the Mudwog Weap has a BBPro#2 at the bridge - they sound very very close. Both have hollow bodies (yes the BFG is a thinline!~).
But... what I cant understand is why W chooses to place the bridge pickup so far from the TOM bridge, and place the stop bar so far back. Nothing to do with scale length, as the bridges are in the right spots for their respective scales, just that Gibson chooses to keep the spacings a bit closer, while W spreads em out a bit.
I wonder why this is? I'm thinking it probably has to do with the programs set up in the CNC, placing the HB route in the same position regardless. That is, it goes where the tele HB bridge would put it, and if you have some other bridge type... so be it, but the pickup is staying put where it is! Anyway thats my guess. Maybe some kind soul at W can enlighten us mere mortals.
And... man thats a winning pickup combination. Jack knows. Vic knows. I urge folks to give it a try.

Was doing some tone comparisons - the Tele is just a tad brighter, but then, its got new strings, while the BFG has strings a bit older. Essentially, very very close. Both have non-maple necks - Goncalo vs Mahogany. Both have medium size frets. Both have essentially the same pickups although the Mudwog Weap Tele has a hotter wound neck pickup. The BFG has a BB#3 while the Mudwog Weap has a BBPro#2 at the bridge - they sound very very close. Both have hollow bodies (yes the BFG is a thinline!~).
But... what I cant understand is why W chooses to place the bridge pickup so far from the TOM bridge, and place the stop bar so far back. Nothing to do with scale length, as the bridges are in the right spots for their respective scales, just that Gibson chooses to keep the spacings a bit closer, while W spreads em out a bit.
I wonder why this is? I'm thinking it probably has to do with the programs set up in the CNC, placing the HB route in the same position regardless. That is, it goes where the tele HB bridge would put it, and if you have some other bridge type... so be it, but the pickup is staying put where it is! Anyway thats my guess. Maybe some kind soul at W can enlighten us mere mortals.
And... man thats a winning pickup combination. Jack knows. Vic knows. I urge folks to give it a try.