Hello Everyone - purchased a Roasted Flame Maple neck. My preference for playability is a MusicMan-like neck: Clear coated Headstock with a very smooth neck. However, with a flame on the entire neck: I'd like to see flame figure on the headstock and on the back of the neck. This would require finishing the back of the neck and not just leaving it raw/burnished. This my conundrum. I'll break my question in to the 2 different finish areas: Headstock (grain popped); Clear coated.
Headstock Finishing. Goal: Clear coat over a very "Popped" Figure with no tinting. No dyeing and sanding back to pop grain.
1. What can be used to highlight grain in Roasted Maple? That can also eventually be clear coated with lacquer? Options seem to be Tru Oil, Linseed Oil, Tung Oil. But, there isn't much out there on popping roasted maple and keeping the natural color.
2. With the clear coating, I am assuming that the headstock should not be burnished, as that might make finishing tough?
Back of neck finishing (fretboard is RW so doesn't need a finish).
1. If I Burnish the back of the neck, will I be able to use something - Tru Oil, Linseed, etc - to Pop the grain?
2. If I do use something to pop the grain, is there any way to preserve the burnished/musicman-like feel?
3. Or, are the goals of popping the figure and having a burnished smooth neck incompatible?
BTW - if anyone can share links to information on "popping" roasted maple grain, I'd appreciate it. Plenty out there on popping grain, just not much on roasted maple.
Really appreciate any thoughts folks
Headstock Finishing. Goal: Clear coat over a very "Popped" Figure with no tinting. No dyeing and sanding back to pop grain.
1. What can be used to highlight grain in Roasted Maple? That can also eventually be clear coated with lacquer? Options seem to be Tru Oil, Linseed Oil, Tung Oil. But, there isn't much out there on popping roasted maple and keeping the natural color.
2. With the clear coating, I am assuming that the headstock should not be burnished, as that might make finishing tough?
Back of neck finishing (fretboard is RW so doesn't need a finish).
1. If I Burnish the back of the neck, will I be able to use something - Tru Oil, Linseed, etc - to Pop the grain?
2. If I do use something to pop the grain, is there any way to preserve the burnished/musicman-like feel?
3. Or, are the goals of popping the figure and having a burnished smooth neck incompatible?
BTW - if anyone can share links to information on "popping" roasted maple grain, I'd appreciate it. Plenty out there on popping grain, just not much on roasted maple.
Really appreciate any thoughts folks