Ok, the tonal qualities, cool looks and fantastic feel of exotic woods is not that big of a secret in guitarists land..
but still almost every 'famous' guitarist is using traditional woods for their own and/or signature guitars.. Why the hell is that?
If I was in that position (never will ) and a guitar manufacturer offered me a sig model, I would at least ask for an unfinished solid rosewood neck!! or at least something that doesn't look like every other guitar..
from the top of my head, I can think of
- Reb Beach - Koa Body + Solid Pau Ferro neck
- Nuno Bettencourt - Padouk body
- SRV - Pau Ferro fingerboard (does that count?)
- George Harrissons tele
- Ted Nugent - Ed roman guitar with Korina body and solid ebony neck
- I am sure there is someone famous who plays a rosewood PRS
who else?
but still almost every 'famous' guitarist is using traditional woods for their own and/or signature guitars.. Why the hell is that?
If I was in that position (never will ) and a guitar manufacturer offered me a sig model, I would at least ask for an unfinished solid rosewood neck!! or at least something that doesn't look like every other guitar..
from the top of my head, I can think of
- Reb Beach - Koa Body + Solid Pau Ferro neck
- Nuno Bettencourt - Padouk body
- SRV - Pau Ferro fingerboard (does that count?)
- George Harrissons tele
- Ted Nugent - Ed roman guitar with Korina body and solid ebony neck
- I am sure there is someone famous who plays a rosewood PRS
who else?