pirate
Senior Member
- Messages
- 335
Can someone explain what is happening with bridge/neck in series vs parallel and how both are generally used? The differences in tone? Any other differences? Fairly new to tele's, though I am loving my tele build.
Also, is the standard tele wiring scheme have the bridge/neck together in parallel or series?
Educate me please!
In mine, I got this assembly from 920D, and now wondering if parallel or series?
https://920dcustom.com/products/fender-telecaster-loaded-3-way-control-plate-cts-pots-crl-switch-tele
Big part of all this is I'm thinking of a tele/lp hybrid build, HH with LP volumes/tones/3 way switch and comparing that to a HH setup with 4 way tele switch that would allow parallel/series switching when using both bridge and neck PU's. So not sure yet which way I want to go with it.
Also, is the standard tele wiring scheme have the bridge/neck together in parallel or series?
Educate me please!
In mine, I got this assembly from 920D, and now wondering if parallel or series?
https://920dcustom.com/products/fender-telecaster-loaded-3-way-control-plate-cts-pots-crl-switch-tele
Big part of all this is I'm thinking of a tele/lp hybrid build, HH with LP volumes/tones/3 way switch and comparing that to a HH setup with 4 way tele switch that would allow parallel/series switching when using both bridge and neck PU's. So not sure yet which way I want to go with it.