Hello,
So, I've been trying to replicate my 1979/80 solid rosewood Schecter neck, which was manufactured for Schecter by Warmoth.
I spoke with the good folks at Warmoth when I began my mission and they could not recall what exactly they were doing for Schecter at the time. So I bought a beautiful Goncalo Alves Standard thin neck.
Ooops, too thin. So, I then bought a 59 Roundback Paduak/Ebony 10/16 Warmoth Pro. Gorgeous instrument. OOOpps, too thick.
The folks at Warmoth tell me that they have some people buy 59 roundbacks and sand them to their taste, but I'm a little reluctant to start sanding this beautiful piece of work.
Anyone had any experience sanding down overly large necks? Should I just sell this one and choose another neck?
Thanks,
So, I've been trying to replicate my 1979/80 solid rosewood Schecter neck, which was manufactured for Schecter by Warmoth.
I spoke with the good folks at Warmoth when I began my mission and they could not recall what exactly they were doing for Schecter at the time. So I bought a beautiful Goncalo Alves Standard thin neck.
Ooops, too thin. So, I then bought a 59 Roundback Paduak/Ebony 10/16 Warmoth Pro. Gorgeous instrument. OOOpps, too thick.
The folks at Warmoth tell me that they have some people buy 59 roundbacks and sand them to their taste, but I'm a little reluctant to start sanding this beautiful piece of work.
Anyone had any experience sanding down overly large necks? Should I just sell this one and choose another neck?
Thanks,